Word: satyajit
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Dates: during 1960-1969
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...World of Apu. The third, last and most striking section in the trilogy of Indian life by Satyajit Ray brings its hero to marriage and deeper tragedy than either Pather Panchali or Aparajito, the first two parts, making it the moving culmination of a naturalistic film masterpiece...
...World of Apu. The third, last and most striking section in the trilogy of Indian life by Satyajit Ray brings its hero to marriage and deeper tragedy than either Father Panchali or Aparajito, the first two parts, making it the moving culmination of a naturalistic film masterpiece...
...World of Apu. Actually titled Apur Sansar, this is the third part of Indian Director-Producer Satyajit Ray's vital and abundant trilogy that began with Father Panchali and continued with Aparajito, now brings its hero to marriage and eventual confrontation with tragedy...
...Director Satyajit Ray is for movies that are not like movies; see CINEMA, The World...
...Edward Harrison) completes, in alternations of suffering and joy, one of the most vital and abundant movies ever made. Based on a bestselling Bengali novel by Bibhuti Bannerji, the picture was written, produced and directed as three separate pictures by a 39-year-old Calcutta film buff named Satyajit Ray (pronounced Sawt-yaw-jit Rye). Each of the three lasts about an hour and 45 minutes and stands as a separate and complete cinema experience in its own right. But the moviemaker intended his trilogy ultimately to be seen and judged as a single immense discursive epic in the Indian...