Word: satyajit
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...Festival jurors (among them Actress Susannah York and Indian Director Satyajit Ray) insisted Apocalypse split honors with The Tin Drum, an adaptation of the Günter Grass novel by West German Director Volker Schlondorff (The Lost Honor of Katharina Blum). It was the first time since 1973 that the Golden Palm had been awarded to two films. Some boos and jeers greeted the announcement of the decision. Cynics also noted Apocalypse did not have to contend with two popular films, Woody Allen's Manhattan and Milos Forman's Hair, both of which were screened outside of competition...
...though his output slowed, his later films included such acclaimed works as The Southerner (1945), and The River (1950), filmed in India. A singularly congenial, humane man whose work greatly influenced the New Wave directors of the 1950s (including Truffaut and Godard) and onetime Apprentices Luchino Visconti and Satyajit Ray, Renoir considered himself primarily a storyteller, always filming his special kind of tale. "I am interested in what happens to people," he once explained, "when they must adapt to a new world...
...Trilogy (Satyajit Ray): Friday--Saturday, Panther Panchali at 6:30; Aparajito at 8:30; and World of A pu at 10:30. Sunday at 7:30 and 9:30. Katherine Hepburn and Spencer Tracy in Woman of the year (Women and Work series...
...minor work, certainly, but luminous still, Satyajit Ray's The Middleman concerns compromise, the collapse of a class, the exigencies of desperation. For such large themes, the story itself is notably modest. A young college graduate who lives in Calcutta with his father, brother and sister cannot find a job. After almost a year of unemployment, Somnath (gently played by Pradip Mukherjee) defies the traditions of his Brahman background and goes into small business, hustling everything from stationery to industrial whitening, buying low, selling high, pocketing the difference. He is called, politely, a "middleman." Somnath learns soon enough that...
...million to supply movies in 15 official languages to almost 9,000 Indian theaters (annual box office: $256 million). Bombay is the home of the big-budget Hindi hits, but it is Calcutta that has earned for India most of its international cinematic acclaim. That is mainly because of Satyajit Ray. Using Calcutta's swirling misery as a background for his low-budget masterpieces, Director Ray depicts Indian life with poignant realism. His famous trilogy, Song of the Road, The Unvanquished, and The World of Apu, has been applauded at film festivals all over the world...