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...Whitney Museum displayed sculptures, watercolors and drawings by 172 contemporary U.S. artists. As always with selections of such scope, a good bit was bad. But Burr Miller's marble Chrysalis showed how a sensitive chisel can tease stone to life, and Saul Baizerman's Eve proved that it is also possible to hammer life into a sheet of copper. The water-colors ranged from the sweet, wet realism of Californian John Langley Howard's Coast Line to New Yorker Hans Hofmann's wholly abstract and strikingly handsome Composition...

Author: /time Magazine | Title: Art: Pre-Easter Height | 3/26/1951 | See Source »

Members appointed to the Committee last night were: John R. W. Small '51, Richard E. Johnson '52, Saul I. Skoler '52, and Donald L. M. Blackmer...

Author: By Philip M. Cronin, | Title: Council Sets Up Group To Get Opinion on Rules | 3/20/1951 | See Source »

...administration hopes to get at least one outstanding man in each field. This latter policy has already brought Max Lerner to the Social Sciences, Albert Leon Guerard and Ludwig Lewisohn to Comparative Literature, and Irving Fine to Music. Brandeis got chemist Saul G. Cohen from Harvard in line with its program to get a base of good young instructors for all of its departments...

Author: By Rudolph Kasg and William M. Simmons, S | Title: Brandeis Plans Continued Expansion | 10/20/1950 | See Source »

There are four characters in Steinbeck's drama. In Act 1 they are circus performers concerned with the sterility of the hero, Joe Saul, In the second act Steinbeck makes them farmers, and by now wife Barbara Bel Geddes is about to have a child by a youth named Victor. Dramatic irony is carried to an extreme as Joe rants of nothing but "his" child. By the time the third act arrives, the characters are all sea-going folk, and Miss Bel Geddes is flagrantly pregnant...

Author: By Stephen O. Saxe, | Title: THE PLAYGOER | 10/4/1950 | See Source »

Miss Foley, more venturesome, has set out to pick the best 28 stories of the year. Several of them are good, but on the evidence it is doubtful whether as many as 28 really good stories were published last year. The best in her book: Saul Bellow's recording (in Partisan Review) of a quack doctor's monologue in Chicago's "Bughouse Square"; Paul Bowles's eerie portrait (Mademoiselle) of a missionary's effort to hold the attention of primitive Indians by playing them jazz records; Peggy Bennett's sketch (Harper's Bazaar...

Author: /time Magazine | Title: Books: Two Americas | 8/7/1950 | See Source »

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