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...There are the elusive editors who dread authors as "walking vessels of petty grievance and conceit." An especially funny cameo is Allan Schieffman, the macho editor who boasts to Frances that "Norman Mailer had punched him in the stomach, an affectionate punch, and a tribute to his washboard midriff . . . Saul Bellow had bipped him on the arm to test his biceps. William Styron, who was balding, had tugged at Allan's thick brown hair...

Author: /time Magazine | Title: Books: Double Image Group Sex | 11/10/1986 | See Source »

Students in Washbrook's class are also appreciative of his expertise. "He doesn't make broad generalizations; he tries to characterize things very precisely. You know that what he's saying is important." says Saul Weiner '88, a student in History 1810. "He doesn't tell jokes--he's not a funny sort of guy. He doesn't try to sell the course. He just gets up there and goes right...

Author: By Jennifer L. Mnookin, | Title: Visiting Scholar Creates a Passage to India | 10/30/1986 | See Source »

...When the shooting began, we all threw ourselves on the floor," 17-year-old Rafi Saul told Anatolia, Turkey's official news agency...

Author: NO WRITER ATTRIBUTED | Title: Terrorists Storm Turkish Synagogue; 21 Worshippers Die in Suicide Attack | 9/7/1986 | See Source »

...love has become a familiar theme of contemporary fiction: Isaac Bashevis Singer made it the title of a book of short stories; John Cheever, John Updike and Saul Bellow have explored its surprising depths and passions. In their wake Philanthropist Astor, now in her early 80s, slyly subtitles her fourth and best book "a period piece." Actually, it concerns two periods: the year before the Crash and the time after middle age. She is obviously an expert on both. With witty understatement and antic plot, she shows a high social stratum at its apogee. Messages are delivered on silver salvers...

Author: /time Magazine | Title: Books: Old Love the Last Blossom on the Plum Tree | 7/28/1986 | See Source »

...other aliens from Hollywood's outer space are a terminally insecure screenwriter hilariously impersonated by that perfectly assured actor Bob Hoskins; a leading man (Michael Caine) who comes alive only when he puts himself at risk, either by seducing other men's wives or by driving dangerously; a director (Saul Rubinek) whose perfect tastelessness is matched by his impenetrable egocentricity. Obviously Writer-Director Alda has not spent his spare time on television and movie sets on the phone with his agent. He has tuned in to the lunacies of his profession, and when Sweet Liberty is minding its own business...

Author: /time Magazine | Title: Cinema: The Road of Good Intentions Sweet Liberty | 5/19/1986 | See Source »

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