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...happens, Bonfire was only an ordinarily bad film and an ordinary box- office bomb; Robert Redford's Havana cost as much and earned far less. The reason Bonfire was a goner from the git-go is that it was based on the one '80s novel every media savant had read and, mentally, already filmed. Even a reverent adaptation would have been fitted with an Armani shroud...

Author: /time Magazine | Title: A Goner from the Git-Go | 11/25/1991 | See Source »

Rube Goldberg and Marilyn Vos Savant were inducted into the Posthumous Board of Governors, the latter as an honorary member, as she is alive...

Author: By Marion B. Gammill, | Title: Ig Nobelity Takes Over at MIT | 10/4/1991 | See Source »

...public, then turns into a whipcracking boss in private, directing every detail of the covert operation, down to computing interest on the money stored in Swiss bank accounts. The show's movie parodies have also had some shrewd twists: Carvey, for example, playing Dustin Hoffman's autistic savant in Rain Man -- who turns out to be giving gambling tips to Pete Rose...

Author: /time Magazine | Title: Video: At 15, Saturday Night Lives | 9/25/1989 | See Source »

Cunning, cynical young Charlie Babbitt (Tom Cruise) learns he has been cut out of his father's $3 million estate, which has gone to an older brother, Raymond (Dustin Hoffman), whom he did not know existed. Ray has long been institutionalized because he is an autistic savant. He has a genius for instant mathematical calculation, but he keeps reality and affection at bay by piling barricades of useless information around himself and by insisting, maddeningly, monotonously, monomaniacally, that certain routines, involving meals and TV viewing, be rigorously observed. Charlie abducts him, hoping to gain control of his inheritance, and they...

Author: /time Magazine | Title: Cinema: Two Out of Five Ain't Bad | 12/19/1988 | See Source »

...biographer, Fragonard is an exasperating puzzle. He rarely signed his works; dating them is still a cause of scholarly spats. In early 19th century biographies, "the good Papa Frago" was often described as a cheerful, round-faced little man, ever smiling and carefree -- a kind of idiot savant of the easel. Yet it seems that he was also riven with self-doubt, constantly redoing canvases and often failing to complete commissions. But Fragonard's inner self remains inscrutable. Contemporary references are surprisingly few and unrevealing. If he wrote any letters, none survive. And he stares out enigmatically in only...

Author: /time Magazine | Title: Art: Visions of A Rococo Master | 2/15/1988 | See Source »

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