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...MEMORABLE MOMENT] After support staff is briefly delinquent in assisting Wonder from his vintage car, the star recovers splendidly and tap-dances with Savion Glover...

Author: /time Magazine | Title: No Polka? | 1/24/2000 | See Source »

This festival has been an institution in Switzerland for decades, so the version that co-producers Claude Nobs and Quincy Jones brought to New York City's Central Park could have easily devolved into a tired museum exhibit. That wasn't the case. Savion Glover did a tap-vs.-congas duet with drummer Leon Parker; singer Patti Austin added a line about Teletubbies to her brisk version of Makin' Whoopee. And the best performance came from vocalist Joe Williams, 79, who sang a swinging, confident rendition of one of his signature songs, Every Day I Have the Blues...

Author: /time Magazine | Title: Concert: The Montreux Jazz Festival | 9/21/1998 | See Source »

...have noticed. Nearly all this season's big musicals are arriving, as usual, in the last two frantic weeks before the Tony Award nominations. And far from showcasing a new generation of downtown talents, like Rent's Jonathan Larson or Bring in 'Da Noise, Bring in 'Da Funk's Savion Glover, this season could pass for a Friars Club reunion of old Broadway tunesmiths, with Cy Coleman (Sweet Charity), John Kander and Fred Ebb (Cabaret), Maury Yeston (Nine) and Leslie Bricusse (Stop the World--I Want to Get Off) all back on the boards...

Author: /time Magazine | Title: BRING IN 'DA TUNESMITHS | 5/5/1997 | See Source »

...Bring in 'Da Noise, Bring in 'Da Funk. The black experience in America as interpreted by the tapping, stomping feet of Savion Glover and company. The sketches--on how hard it is to hail a cab in Manhattan, or be a black dancing star in 1930s Hollywood--are satirically on target, and the dancers perform with demon drive. What a year for musicals...

Author: /time Magazine | Title: THE BEST THEATER OF 1996 | 12/23/1996 | See Source »

...Noise/Funk (in stores now) makes the music and messages contained in these two shows available even to people without gold cards and/or a 212 area code. Do they work as albums in their own right? Noise/Funk at first would seem unrecordable--the show, which stars tap-dancing whiz Savion Glover, is about dance, about movement, about flashing, stomping, whirling feet. A recording of a dance seems as useful as a photograph of a symphony. But tap dancing is percussive, rhythmic, noisy. To hear Glover's feet banging away is to feel his passion, his intent; visuals would be nice...

Author: /time Magazine | Title: MUSIC: LULLABIES OF BROADWAY | 8/26/1996 | See Source »

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