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Word: saviorism (lookup in dictionary) (lookup stats)
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Hero. Unifier. Healer. Savior. Could any one man -- let alone one who has been cut off from the flow of daily life for more than 27 years -- live up to such billing? Nelson Mandela did not disappoint last week as he walked out of 10,000 days in prison right into the thick of South African politics...

Author: /time Magazine | Title: South Africa A Hero's Triumphant Homecoming | 2/26/1990 | See Source »

STORY OF WOMEN. In 1943 the Vichy government of France condemned Marie-Louise Giraud to the guillotine for the crime of performing abortions. In this eloquent work, Marie (Isabelle Huppert) is neither a monster nor a savior, but a microcosm of her amoral country...

Author: /time Magazine | Title: Critics' Voices: Feb. 12, 1990 | 2/12/1990 | See Source »

...Sacks boast that just about all the pieces they have sold have later appreciated handsomely in value. "Over the years, we've built collections for families with other sources of income who lose it, and the furniture becomes their savior," says Harold Sack. But, he adds, "American furniture is not a speculative market. It is a long-term equity investment. People who plan to turn it over in ten years might well be disappointed." While prices could falter if the U.S. economy runs out of steam, most investors are bullish on Early American masterpieces. "When you get a few billionaires...

Author: /time Magazine | Title: The Glow of a $12 Million Desk | 1/29/1990 | See Source »

...eloquent example of Simenon cinema -- the kind of movie that, in the manner of Georges Simenon's novels, treats melodramatic subjects with clinical dispassion. Chabrol never coddles viewers; he trusts them to sort out the evidence. His Marie is too complicated to be either a monster or a savior. And Huppert's beautifully deadpan performance finds the ideal emblem for Marie, a vessel empty of everything but human contradictions...

Author: /time Magazine | Title: Cinema: Shades Of Gray | 1/15/1990 | See Source »

Beckett's images have transfixed countless theatergoers, who watched the tramps in Godot wait for a savior who never comes, or heard the old man in Krapp's Last Tape review recorded fragments of his life as he murmurs, over and over, "Spool," or shared the haplessness of the elderly couple in Endgame as they face the end of the world while encased in trash cans. Beyond his own art, Beckett shaped the vision of countless others. They emulated, if never equaled, his simplicity of means, philosophical daring and ability to engage vast ideas in tiny trickles of closely guarded...

Author: /time Magazine | Title: Samuel Beckett: 1906-1989: Giving Birth Astride of a Grave | 1/8/1990 | See Source »

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