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Word: saws (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...China, beset by internal troubles, last week made plain its determination to cause friction and perhaps war all along its southern borders. That intent became unmistakable even to India. The long unrealistic era in which the two largest nations on earth coexisted peaceably because one of them saw no evil or heard no evil seemed at last to be ending...

Author: /time Magazine | Title: ASIA: A Promise of Trouble | 9/7/1959 | See Source »

...army headquarters in Kabylia, De Gaulle saw for himself the difficulties facing 25,000 French troops as they scour the thick scrub of mountain sides for rebels. He watched helicopters swoop low over a 3,400-square-mile waste of mountains "as full of holes as a Gruyère cheese," as one officer put it, and foot soldiers trudge up and down steep rocky inclines searching caves for the more than 10,000 terrorists hidden in the region...

Author: /time Magazine | Title: Foreign News: The Moment Is Coming | 9/7/1959 | See Source »

...good on a promise given in 1956, Tibet's exiled Dalai Lama posed for Hungarian Artist Elizabeth Brunner at his refuge in Mussoorie, India-the first time the god-king had permitted an artist to paint his portrait from life since his flight from Lhasa. Last week he saw the result: a likeness showing him seated before a religious scroll, holding a Buddhist prayer book...

Author: /time Magazine | Title: People, Sep. 7, 1959 | 9/7/1959 | See Source »

...usual, Hollywood fired back in all directions. Sounding as if any criticism amounted to outright censorship, Columbia Vice President Sam Briskin pulled the trigger before he even saw the enemy. No individual or group, he cried, has a right to censor the industry. "The public will soon enough tell us what they want and don't want...

Author: /time Magazine | Title: HOLLYWOOD: Fire & Fall Back | 9/7/1959 | See Source »

...Leon Golub, 37, paints men in pain. His views are frontal and direct: lumpish, lacerated heads with dull yellow catlike eyes. His technique-layer on layer of colored lacquer, chipped, gouged and pumiced-gives the effect of eroded sculpture come hauntingly to life. They resemble certain Romanesque statues Golub saw while on a trip to Italy, but he claims never to "look back" or dissect. "Other painters are tearing man apart, but not me. I'm giving him a monumental image. I want man to survive...

Author: /time Magazine | Title: Art: Here Come the Monsters | 9/7/1959 | See Source »

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