Word: saws
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Dates: during 1960-1969
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...fray. When the time comes for them to recall their movements, the prosecution will produce a scale model of the pantry, with warming tables, tray stackers and an ice machine. To establish premeditation and deliberation, the prosecution is likely to call the two men who say they saw Sirhan shooting a pistol at a target range on the afternoon before the murder...
...every eleven records hits the charts-meaning the trade magazines' top 100; Jimmy Bowen has a three-out-of-five hit rating. His specialty is lending up-to-the-minute commercial appeal to long-established "household names." In 1964, while producing an album by Dean Martin, he saw possibilities in a little song written 15 years earlier by Martin's pianist, Ken Lane. He released it as a single, and Everybody Loves Somebody carried Martin to the top of the bestseller charts for the first time in two years. In 1966, at a Frank Sinatra recording session, Bowen...
...American nickelodeon," Will Rogers called the Post. During the early decades of the century, it brought humor, sentiment, pragmatic soothsaying and a touch of romance into millions of households. In smaller towns, especially, it was the prime medium of family entertainment. But it was more. In its pages, readers saw reflections of themselves-or, at least, reflections of what they liked to think of themselves. The Post's greatest editor, George Horace Lorimer, insisted that "editors must be ordinary men"; and it was the values of ordinary men-cozy domesticity, a sense of humor, a belief in decency...
...just trying to evade an unpleasant situation. He had been hamstrung in his negotiations, Smith said, by a close-minded state government. And unless Governor Reagan and his men on the state college governing board were willing to back him in his compromises with the students, Smith saw no point in even trying to restore peace...
...train and apartment-house assassination sequences make the real world a complex support of Francis Jeanson's assertion that the students are drasticalliy oversimplifying. But the ending replaces conclusive directorial statement with irony, and signifies that Godard didn't know what kind of statement he wanted to make. I saw La Chinoise in Paris when it opened, and report regrettably that the color of the American prints (I've seen three) doesn't come remotely close to the sharp clear tones of the original...