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...amazing stereo system.” Now a lawyer in Wyoming, he is reserved but friendly: after being thanked for agreeing to an interview, he says, “Oh, you bet. Hold on just a minute while I shut my door.” Ed played alto sax in the Harvard Band, becoming drill master senior year...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Harvard That They Knew | 3/11/2010 | See Source »

...weaving them into a blindingly rapid melody, as Malone and Barron easily grounded him in a modal swing. On the other hand, his rendition of the 13th century mystical poet Rumi’s “I Like The Sunrise,” set to a Von Freeman sax solo, told a melodic story in which his voice fully rounded out, replicating the searing, insistent quality of repeated notes on a saxophone...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...baritone.” Ho’s playing is aggressive, sharp, often filled with wailing shrieks and guttural burps, but it always remains expansive and lyrical. “He can play seven octaves on the bari sax—he can do things with the bari sax that no-one else can do,” says Kristen M. Pagan ’10, who played in the Monday Jazz Band with Ho for “Take the Zen Train...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

Author David Sax is a man on a (delicious) mission. His goal? To preserve the delicatessen tradition. His new book, Save the Deli: In Search of Perfect Pastrami, Crusty Rye, and the Heart of Jewish Delicatessen (Houghton Mifflin Harcourt), is a mouthwatering paean to corned-beef culture. The Oct. 20 launch party for his book, appropriately, was held at Ben's, a sprawling delicatessen in Manhattan's Garment District. Between bites, TIME senior reporter Andrea Sachs caught up with the knish connoisseur. (See pictures of what makes you eat more food...

Author: /time Magazine | Title: David Sax: The Deli King | 10/22/2009 | See Source »

...some flashy gigs - like a Jazz at the Philharmonic session with Nat Cole on piano and Illinois Jacquet on sax - but spent more time on electronic experimentation. He built a new guitar out of Epiphone parts and called it the Log. He used it in his recordings for the next decade. After assembling a recording studio in his garage (total cost: $415), he produced such performers as Gene Austin, the Andrews Sisters and his pal and patron Bing Crosby. His work with White, Crosby and the Andrews Sisters, as well as some Les Paul Trio sides, can be found...

Author: /time Magazine | Title: Death of the Guitar Man: Les Paul (1915-2009) | 8/13/2009 | See Source »

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