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Word: sax (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...presence in a four-candidate Republican race was soon felt. One night, Fourth Ward Republican Leader Louis ("The Bull") Sax turned his television set to a local news program. The commentator's guest was Richardson Dilworth, whom Louis Sax eyed darkly: such Democrats as Dilworth had kicked Sax off the public payroll. Recalls Sax: "I noticed there seemed to be something wrong with Dilworth. He was awful nervous. He kept rubbing his hands together." Then the camera turned to another guest: Thach Longstreth. Says Louis the Bull: "I soon saw why Dilworth was nervous. He was worried about running...

Author: /time Magazine | Title: POLITICAL NOTES: The Ball Carrier | 5/30/1955 | See Source »

...place would be jumping. Mostly with young people, you know, amateurs. I'd meet a friend and he'd say, 'Who are ya for, Louis?' and I'd answer, 'I'm for Williams, but I don't feel right.' " But Sax remained loyal to Meade...

Author: /time Magazine | Title: POLITICAL NOTES: The Ball Carrier | 5/30/1955 | See Source »

...line up to somewhere near midfield. A good many others feel the same way. President Eisenhower, in a post-election White House meeting with Longstreth, said he needed no one to tell him what a fine candidate Longstreth would be-he could see for himself. Back in Philadelphia, Louis Sax was chortling: "If we don't beat Dilworth, we'll scare the hell...

Author: /time Magazine | Title: POLITICAL NOTES: The Ball Carrier | 5/30/1955 | See Source »

...reader of Sax Roehmer knows, the main trade of Shanghai is skulking about and plotting about international intrigues. So any picture with "Shanghai" in its title has quite a chore to prove itself worthy of the exotic name...

Author: By Robert J. Schoenberg, | Title: Shanghai Express | 4/23/1955 | See Source »

...given moment, there were ups and downs. Ed Conte of Adams sat in at the piano until the other two pianists arrived and did some excellent work with a "blocked chord" style. In All the Things You Are Watson on the alto and Ray Pitts on the tenor sax-the only two with much experience together-engaged in a beautifully fluid duet in the current "counterpoint" style. Lewis on the conga drum and Arnold Palmer on the regular drum outfit both achieved tympanic effects from their instruments in a highly amusing question-and-answer period near the end of Honeysuckle...

Author: By Peter G. Paiches, | Title: 'Experimental' Jazz | 3/9/1955 | See Source »

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