Word: sax
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Dates: during 1950-1959
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Other University scholars included Karl Sax, professor of Botany; Judith N. Shklar, instructor in Government; Herbert J. Spiro '50, assistant professor of Government; Krister Stendahl, John H. Morison Professor of New Testament studies; and Lily R. Taylor, visiting professor of Classics...
...letter to the CRIMSON, Professor Karl Sax is quite justified in condemning restriction of information about birth control and of birth control propaganda. However, the statement in the CRIMSON'S article of December 2, that Widener is guilty of such restriction, was in error. I am currently engaged in research for an honors thesis on the subject of the Massachusetts birth control law. I have found that information about birth control, and birth control propaganda, are readily available in Widener, and are listed in the card catalogue. In all likelihood it is only instructional manuals and descriptions of method that...
...more thinking people all over the world are concerning themselves with the dilemma of over-population, an institution like Widener Library should not withhold from its students any work which deals with a subject of such significance to the survival of mankind as the control of human reproduction. Karl Sax (Harvard M.S. '17, S.Sc. '22), Professor of Botany, President, Planned Parenthood League of Massachusetts...
Since then, Melody in A Major has appeared in many incarnations, including arrangements for violin, pipe organ, alto sax, and in 1951 Broadway Veteran Carl (Bongo Bongo) Sigman wrote some lyrics for it. But it took another seven years to the end of the long, long road from the McKinley Administration to the Hit Parade. Last summer M-G-M hauled out the old song, gave it a slushy arrangement halfway between rock 'n' roll and a ballad. By last week It's All in the Game was the biggest "new" hit in the country, ranked...
Bill Harris and Friends (Ben Webster, tenor sax; Jimmy Rowles, piano; Red Mitchell, bass; Stan Levey, drums; Fantasy). Trombonist Harris, who sometimes sounds as if he were blowing through several folds of velvet, is the weakest operative on an album chiefly distinguished by the pensive unfolding of some fine solos by Saxman Webster. In Where Are You?, I Surrender, Dear and In a Mello-tone, Webster articulates his longings with spacious ease and a tone as husky with melancholy as a distant-sounding foghorn...