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Word: sax (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...lady out of jazz and wound up with a eunuch"; the wider tone colors and neo-jungle rhythms of Duke Ellington; the two-beat music of Jimmy Lunsford; Benny Goodman and the importance of his Fletcher Henderson arrangements; the blues-based simplicity of Count Basie; the thin, sparse sax playing of Les Young; the small jam sessions during World War II made necessary by the wholesale draft; the emergence of bebop and the "soul" of Charlie Parker; the wild, Afro-Cubanism of Dizzy Gillespie; the "cool jazz" of Miles Davis; the influence of Woody Herman and Stan Getz; the recent...

Author: By Caldwell Titcomb, | Title: Sixth Annual Boston Arts Festival Evaluated | 7/1/1957 | See Source »

...effects with vocal approximations of all kinds of instruments. Their voices may sound like a brass section, and often they have the sculptured phrasing of a big band. They hit the opening phrases of My Sugar is So Refined with the rubbery beat and buttery sound of a good sax section. Then First Tenor Clark Burroughs spreads his arms wide and throws his silver-hued voice weaving and wailing high over the others, eventually slides back down to join in a typically altered Hi-Lo ending: "My girl is granulated sugar cane...

Author: /time Magazine | Title: Music: Up from the Barbershop | 6/17/1957 | See Source »

...stuff, but it keeps me goin' "), and it was time for the second performance. Fats slipped on his four-carat diamond ring, sank a horseshoe-shaped diamond stickpin in a rich new tie. From the stage, the whine of an electric guitar and the bleat of a sax vibrated through the walls; the rock 'n' roll picadors were wearing down the audience. As his handlers hovered, Fats stuffed himself into a fresh, shimmering suit, then stepped daintily out of the dressing room and trotted onstage for the kill...

Author: /time Magazine | Title: Music: Fats on Fire | 6/10/1957 | See Source »

Music for Lighthousekeeping (Howard Rumsey's Lighthouse All-Stars; Contemporary). Volume 8 in this West Coast series is marked by playing of piano-string tautness and vibrating energy. Bob Cooper is a glib, honey-mouthed talker on the tenor sax...

Author: /time Magazine | Title: Music: Pop Records | 6/3/1957 | See Source »

Among Manhattan's most successful: ¶ Cafe Bohemia, a room in Greenwich Village that for years specialized with indifferent success in beer and sagging chorines until the late Jazzman Charlie ("Yardbird") Parker one evening offered to "do a gig" on his alto sax to square a bar debt. The Bird died before he could make good, but the Bohemia nevertheless plastered its walls with record jackets and went jazz. A favorite hangout of off-duty jazzmen, it also attracts the earnest and informed young jazz buffs in heavy spectacles and flamboyant shirts who sit for hours nursing drinks...

Author: /time Magazine | Title: Music: Rise of the Music Room | 5/27/1957 | See Source »

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