Word: sax
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Dates: during 1960-1969
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...JOHN HANDY ALBUM (Columbia). The hit of last summer's jazz festival at Monterey, Handy's quintet consists of his own sax, a violin, a guitar, bass and drums-all of which contribute to a complex, light-textured cacophony that is very close to contemporary classical chamber music, especially in long pieces like his Scheme #1. Handy can also produce tongue-in-cheek rock 'n' roll like Blues for a Highstrung Guitar with both wit and warmth...
HANK CRAWFORD MR BLUES (Atlantic). Crawford, who came to his own band from Ray Charles's, specializes in the blues, but he goes after them so vigorously that he turns them into outbursts of affirmation. His instrument for these determined attacks is usually the alto sax, although he can also operate very effectively with the piano. Half the pieces are his own, but most of the others, like Lonely Avenue, also burst with swinging good spirits...
...studied composition at the University of Southern California, steeping himself in Bartok, Stravinsky and the impression- ists by day, slipping off to play jam sessions by night. After earning a master's degree in 1961, he joined the Chico Hamilton Quintet and switched from alto to tenor sax because "it seemed to be the voice I was hearing. It can be such a bitch, but with it you can draw a line of prancing dolphins...
...quartet launched into their opening number. Crash. A microphone toppled over. Handy tried to recover with a spiraling solo, but just as he built to a climax, the roar of a Boeing 727 jet drowned him out. Handy pressed on, but then the reed in his alto sax went sour, grounding the high-register flights that he plays so well. Undaunted, he introduced Blues for a High Strung Guitar-but wait, where was the guitar player? Unstrung backstage, as it happened, where he had to dash to repair a snapped string...
HERBIE HANCOCK, MAIDEN VOYAGE (Blue Note). Hancock is-an inventive young (26) modernist best known for his work with Miles Davis. Here he sets out to fathom the mysteries of the sea. His crew of Ron Carter on bass, Tony Williams, drums, Freddie Hubbard, trumpet, and George Coleman, tenor sax, pull together perfectly to express a variety of moods-from the quiet swirling sound of Little One to the growling agitation of Eye of the Hurricane. Survival of the Fittest features a Hancock solo that pits one hand against the other in a sort of riptide effect...