Word: sax
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
From there they went into "Under My Thumb," sounding more like the Who's version than their own, and a new one, "Live With Mc," Richard doing a fine solo instead of the sax. Then another Chuck Berry song, "Queenie," "from when you were about thirteen years old." The Stones oeuvre might be subtitled Anthems of Young America, and they finally cut loose on the song that made rock and roll a movement, "Satisfaction," Richard ripping off huge Chuck Berry chords and adding an cery vibrato, Jagger doing an Otis-like "I can't getta no, no, no, no," that...
...Kerr. But one does expect him to be funny and to be himself. Leonard Gershe is only sporadically funny and never uniquely himself. Eileen Heckart, playing the mother of a blind young man who seeks independence by moving into his own apartment, can groan and pun-like a baritone sax-and delivers her lines almost as if Gershe had delivered the goods...
Heckart can growl and purr like a baritone sax, and she delivers her lines as if the playwright had delivered the goods. He has not. Gershe is only sporadically funny and never uniquely himself, but simply a one-man situation and gag file...
Born in St. Joseph, Mo., Hawk began to play the piano at five, the cello at seven, and was fingering a sax at nine. While playing with Singer Mamie Smith's Jazz Hounds on a Manhattan gig, Hawkins, then 19, was heard one night by Band Leader Fletcher Henderson, who signed him and kept him for eleven years. Hawk developed his particular sound-breathy, but also powerful and deep-grounded-in part, as he once said, "because I was trying to play over seven or eight other horns all the time." In 1939, while working with his own combo...
...nasal accents in the background of jazz bands. "Bean," as Hawkins' friends called him, transformed it into an expressive solo voice that could breathe lyrical long tones on ballads or erupt into flights of dazzling arpeggios. In a sense, it could be said that he created the tenor sax, and players from Ben Webster to Sonny Rollins and John Coltrane have acknowledged their debt to his inspiration and style. After a life that spanned three generations of jazz, Hawkins died last week at 64, of pneumonia...