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...bands now making the rounds. The boys didn't play too many popular melodies of the day, as there was an ugly rumor that they were going to do. As usual, most of the arrangements featured a raft of solos, with Buck Clayton and Don Byas, the new tenor sax artist, particularly outstanding. The rhythm section suffered from the absence of Joe Jones from the tympani, which probably disconcerted the boys a bit . . . Decca waited until Muggsy Spanier had left the Bob Crosby band before issuing the first good record the boys made with Muggsy taking a chorus...

Author: By Harry Munroe, | Title: SWING | 5/26/1941 | See Source »

...vocal (OKEH) . . . Half the Count Basie rhythm section (Jo Jones and the Count himself) are featured with the Benny Goodman sextet on I've Found A New Baby. Jones' drumming is superb, and well supported by Artic Bernstein on string bass. The reverse, Breakfast Feud, contains some tenor sax which shows Georgie Auld to be improving by leaps and bounds. There are few white tenor sax which shows Georgie Auld to be improving by leaps and bounds. There are few white tenor men who can come near him these days (COLUMBIA) . . . Reissue of the week is Ride Red Ride...

Author: NO WRITER ATTRIBUTED | Title: SWING | 4/12/1941 | See Source »

Second prize went to Nicholas Van Slyck '44, for his original piano concerto in E flat minor. A "String Ensemble" composed of a hot sax, a pace setting piano, and a guitar took third place...

Author: NO WRITER ATTRIBUTED | Title: FOLLIES ATTENDED BY 500 YARDLINGS | 3/24/1941 | See Source »

...Editor Sax Bradford went to South America. To get out the new tabloid, Sports Editor Cliff Harrison was made editor. On its first day as a tabloid the Star gained 10,000 readers, lost only 800 of them the second, has gained steadily since-from...

Author: /time Magazine | Title: The Press: A New Star | 3/17/1941 | See Source »

Superlative number two is Roscoe McRae, who plays tenor sax with the Jones Brothers' band at the Savoy on Columbus Avenue in Boston. Now the Savoy is only twenty minutes or so from Harvard Square, and you really should get down there if you want to hear the closest thing to Coleman Hawkins outside of the Hawk himself. As a matter of fact, I was down there the other night with a tenorman whose opinion I respect tremendously, and after hearing McRae on Body and Soul, he remarked that even Hawkins would have to dig hard to keep up with...

Author: By Charles Miller, | Title: SWING | 2/21/1941 | See Source »

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