Word: sax
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...begin to think about the song "Corcovado" again, the October 1964 live version with Astrud Gilberto singing in English (her voice high and light as mountain mist) and Joao Gilberto answering in Portuguese (gentle and soothing as a priest's voice in a confessional) and Stan Getz's tenor sax sweetly flowing through the song like a warm river. "This is where I want to be/here with you so close to me/until the final flicker of life's ember..." It's a song, I think, that will stand as long as the mountain stands - it's that good. Are there...
...finest episode, Dedicated to Chaos, which chronicles the beginnings of the bebop revolution as well as the coming of hard drugs and the deepening scar of racism, eases away at the end on a note of shattering simplicity. Dave Brubeck, whose music, buttressed by the suave and inventive sax of Paul Desmond, is an important rediscovery here, recounts a childhood incident of racial revelation that leaves him weeping. It is an unforgettable anecdote and lays open the conscience as it touches the soul--just the way that much of jazz can do, with a flourish or a solo...
...national politics, and politicians have changed their strategies as a result. This makes perfect sense to me. Only major caffeine abuse could keep me conscious through a policy guru's lecture on the tax code, but if the same wonk dons a pair of shades and blows a sax, I'll pay a cover charge. He might even get me to vote...
...most famous wonk to blow a sax was, of course, Bill Clinton, the main subject of Greil Marcus's new essay collection Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives. Marcus, a rock-n-roll critic best known for lively volumes on Elvis, Bob Dylan and the Sex Pistols, pinpoints Clinton's appearance on Arsenio Hall as the turnaround of his 1992 presidential bid. Considered a sure loser against Bush and Perot, Clinton swaggered on stage with his tenor saxophone, wailed a few bars of "Heartbreak Hotel" and instantly won enough support to capture...
...Finally there are two masterpieces, songs as good as "Be My Baby" or "River Deep Mountain High." The first is a Veronica number called "Why Don't They Let Us Fall In Love." Phil opens with a seismic riff - a sax line of tectonic dimension, especially on crankin? speakers - but the song's just starting, and the second time through he adds the backup vocals: "Bop bop bop, bop bop ba-dah-dah dah-dah..." I'm sitting on that couch in the dark, my next-door neighbor is pounding on the wall...