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...appearing on The Arsenio Hall Show last week, Bill Clinton may have discovered the formula to revive his stalled campaign: exploit his sax appeal. During the brief rehearsal for the talk show, the visiting saxophone player joked nervously with the band, "If I screw up, play louder." Clinton need not have worried. So what if his wraparound shades were borrowed from an aide, the phosphorescent blue-and-yellow tie came from the show's wardrobe department, and some of the cool was donated by the adoring host? The image that came across on TV was that of a relaxed, self...

Author: /time Magazine | Title: Clinton Plays It Cool | 6/15/1992 | See Source »

...good thing Bill Clinton has a job -- he'd never make a living with his tenor sax. Sure, it took guts to play on The Arsenio Hall Show, and sure, he looked cool in those shades. As a musician, however, he was in way over his head. Of the two numbers he played, Clinton seemed more at home on Heartbreak Hotel; his growly sound suited the rhythm-and-blues genre, though his attacks were sloppy. Billie Holiday's ballad God Bless the Child was a mess. Clinton's phrasing was unsure, his tone thin, his melodic lines disintegrated into meaningless...

Author: /time Magazine | Title: Reviews Short Takes: Jun. 15, 1992 | 6/15/1992 | See Source »

Clinton's Sax Appeal: His campaign needs a change of tempo...

Author: /time Magazine | Title: Time Magazine Contents Page | 6/15/1992 | See Source »

...bands. This is due partly to the high level of competition among the up-and-comers and partly to their inexperience in the art of collective improvisation. Trumpeter ROY HARGROVE, in his third Novus album, The Vibe, manages to offset both factors by teaming up with outstanding sidemen -- alto-sax player Antonio Hart, pianist Marc Cary, drummer Gregory Hutchinson and bassist Rodney Whitaker -- who stitch a vibrant tapestry around his own fat sound. At 22, Hargrove has the tone, sensitivity and power to emerge as his generation's man to beat on the golden horn. Fortunately, he also...

Author: /time Magazine | Title: Short Takes: Jun. 8, 1992 | 6/8/1992 | See Source »

...trail as a jazz diva, she combines the emotions of Billie Holiday with a personal delivery rooted in her own poetic lyrics. Never has her talent been better displayed than on these 10 songs, five of them from her own pen, featuring outstanding backup work by the late tenor-sax great Stan Getz...

Author: /time Magazine | Title: Critics' Voices: Nov. 25, 1991 | 11/25/1991 | See Source »

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