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Judges regard the system as the best thing since raised benches. Los Angeles jurists, who earn $60,000 a year, retire comfortably: a 20-year man receives a pension of $45,000. But an energetic ex-judge can increase that income greatly by freelancing. Eugene Sax received more than $40,000 for five months of work on a dispute between California's air resources board and several oil industry giants...

Author: /time Magazine | Title: Law: Rent-a-Judge | 4/20/1981 | See Source »

...star Harry Guardino, who is best known for helping Clint Eastwood rearrange faces in Dirty Harry and The Enforcer. Because this is basically a two-character show--and because this duo can't dance very well either--the musical end of Woman sinks like a cast iron sax...

Author: By Jeffrey R. Toobin, | Title: The Back Page | 2/10/1981 | See Source »

Just about the hottest alto sax around, Arthur Blythe synthesizes and consolidates the disparate approaches of his first two Columbia albums-the first experimental, following trails laid down by Ornette Coleman, the second closer to the Ellington tradition-and, using two separate combos, fuses them with the white hot heat of his horn. Illusions is a furious exercise in musical release. This man uses his sax like a blowtorch...

Author: /time Magazine | Title: Music: Sounds for the Solstice | 12/22/1980 | See Source »

...think the essence of the English Beat can be found in "Whine & Grind/Stand Down Margaret." Over a walking-on-eggs reggae/ska rhythm, we hear a sweet sax, a polite guitar and vocals which pleasantly croon: "I see no joy/I see only sorrow/I see no chance/of a bright new tomorrow." Like I said, these guys throw a mean curveball...

Author: By Mitcbell Scbneider, | Title: THE ENGLISH BEAT | 11/18/1980 | See Source »

...place to start is with their version of the old Smokey Robinson hit, "Tears of a Clown." Just after the grand introductory riff, the Beat pitches a rhythm that is speedy, tense, seemingly out of whack. Is this Motown or is it ska? Is the bass guitar chasing the sax or is it the other way around? With truckloads of scratchy guitar work, snaky bass runs and exotic sax passages, the Beat create a sound that is soulful, dangerous, irresistible and distinctly urban. One can practically hear the buzz of the neon. The vocals clinch their sound: whether they...

Author: By Mitcbell Scbneider, | Title: THE ENGLISH BEAT | 11/18/1980 | See Source »

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