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...either. "Messin' With the Kid" features some fine guitar work by Murphy and especially Steve Cropper, the legendary Memphis session man, producer, and mainstay of Booker T. and the MGs. Belushi smooths out his vocal delivery a bit in "Almost," and Tom Scott of the L.A. Express handles the sax break as the rest of the horn section punches away. Next comes Aykroyd's only solo number, a wonderfully obscure bit of nonsensical babbling called "Rubber Biscuit" which is, believe it or not, quite faithful to the original version. Murphy takes the spotlight in the classic 12-bar "Shot...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

...company's errand boy, sticks his head inside to announce curtain time. He is a human boy caricatured, and thus is a representative of one of the show's three main species. Human Muppets are featured players: Floyd, the supremely groovy guitarist; Janice, his girlfriend; Zoot, the blue-faced sax player who has seen it all; Animal, the out-of-control drummer who must be chained to the wall; Crazy Harry, the special-effects man who is fond of explosions; the incomprehensible and meatball-brained Swedish Chef; and such peripheral loonies as Lew Zealand, manager of a boomerang fish...

Author: /time Magazine | Title: Show Business: Those Marvelous Muppets | 12/25/1978 | See Source »

Wuensche's world is prey to minicrises. A pants zipper rips on a band uniform. A flute player is absent. A clarinet complains that the baritone sax is spitting on her. But the real plagues of Wuensche's existence are the twirlers' parents. Among his duties is the awesome responsibility of choosing the Huntsville line. Parents of unsuccessful candidates have accused him of favoritism and threatened to have him fired. Things got so bad that Wuensche no longer allows parents to attend the twirling line tryouts, which are now held behind locked doors in the gym. "They...

Author: /time Magazine | Title: In Texas: Twirling to Beat the Band | 12/11/1978 | See Source »

...energized triumphantly in concert. Once again this is angry Billy Joel taking the perplexing female of "She's Always a Woman" and surrounding her with a mood of sadomasochistic perversity to create a satisfied tormentor. "Stiletto" is a catchy song anchored at both ends by a simple Richie Cannatta sax line...

Author: By Mark D. Director, | Title: A Spirit Departed | 11/13/1978 | See Source »

Johnson runs through a few of his vocals, flipping on his deck which plays--among sax and acoustic and electric guitars and bass--a mechanical percussion line. "Radiator," he says airily into the mike...

Author: By David A. Demilo, | Title: Rock 'n Roll Sometimes Forgets | 11/2/1978 | See Source »

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