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...album's lead song, "It's a Laugh," provides the newest offering for their "at-large" following. With a strong saxaphone line from the latest of the group's sax players, Charlie DeChant, "It's a Laugh" combines breezy lyrics with a light pop tune that has already appealed to "top pop" listeners...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

Drawing from a variety of sources, Ronstadt puts together a strong selection of tunes in the middle of her new album, starting with an Elvis Costello hit, "Alison." With background vocal help from Andrew Gold and David Sanborn's mysterious alto sax weaving through the chorus, the song suits Ronstadt's voice perfectly, alternately showing a soft, shallow tone and then a full, resonant alto swell...

Author: By Mark D. Director, | Title: Little Linda Grows Up | 10/10/1978 | See Source »

Stoltzman, in fact, came to the classical clarinet by the unorthodox route of jazz. During his childhood in San Francisco, he and his father, a railroad man with a passion for the tenor sax, would im- provise hymns at Presbyterian Sunday school. "We'd play the main-line melody and then just float in and out of harmonies," he recalls. "That freedom not to play all the notes exactly as they were written was the beginning to me of making music...

Author: /time Magazine | Title: Music: A Young Virtuoso Goes Solo | 8/14/1978 | See Source »

...Bittan's piano, Danny Federici's flights of rough-and-tumble fantasy on the organ, and the hang-tough beat of Max Weinberg's drums, Garry Tallent's sinuous, serpentine bass lines and the roistering guitar of Miami Steve Van Zandt form the firm foundation. The wailing, extravagant sax solos by Clarence Clemens cut jolting, joking arabesques around the Boss's lead guitar and vocals, which are the main attraction, and the most seismic in the business...

Author: /time Magazine | Title: Music: Cruising Through the Darkness | 8/7/1978 | See Source »

Pianist Hancock, a Davis protege, followed the leader in 1973 with Head Hunters, another hit that was less jazz and more rock: it had fewer solos, a funky disco beat and the lusher sounds of a synthesizer. Weather Report, a well-respected group that includes Wayne Shorter on sax, has continued to work in the jazz-rock field; its latest album, Heavy Weather, which rides sophisticated solos over rock rhythms, has sold half a million copies. But fusion, as Davis' original album title foretold, is a dangerous brew. It was a short step to what many traditional jazzmen bitterly...

Author: /time Magazine | Title: Music: A Silver Newport | 7/10/1978 | See Source »

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