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...tablecloth-size stage of Manhattan's Village Vanguard is like trying to wedge the master singers of Nuremberg into Rodolfo's garret hole in Paris. The jam requires the four trumpeters to stand against the rear wall all night long. If he is not careful, a sax player can easily get a shot in the ear from a sliding trombone...

Author: /time Magazine | Title: Music: Whoops of Joy | 3/15/1971 | See Source »

...chow. He is going to the gym to cut an album. Though Sonny has been in prison for all but 42 months of the past 20 years, he is, at age 42, at the peak of a spectacular musical career. Master of the piano, flute, bass, guitar and sax, he also composes, arranges and conducts. Lately he has led his band in three separate dates at Los Angeles' Ambassador Hotel. He and his band recently toured the state to rave reviews and tearful standing ovations...

Author: /time Magazine | Title: Music: Prison Records | 11/2/1970 | See Source »

...kind in the U.S., the Michigan statute could inspire a flurry of oddball suits. If a Detroit resident dislikes auto pollution, for example, he might well ask a court to ban all downtown traffic. Even so, the bill's chief drafter, University of Michigan Law Professor Joseph L. Sax, is sure that courts will accent only rational suits, and gradually create a much needed body of environmental test cases. Versions of the Michigan law are now being weighed by legislators in Colorado, New York, Massachusetts, Pennsylvania, Tennessee and the U.S. Congress...

Author: /time Magazine | Title: Environment: A New Right to Sue Polluters | 8/24/1970 | See Source »

...Moondance is a more mature album. Though there are no virtuoso instrumentals, the music is much stronger. Morrison has added another sax, piano, organ and congo drum-practically a small orchestra. But the music itself is not the vital part of Moondance. Its function is to provide a background for Morrison, as The Band did for Dylan. And this is superbly done; the instrumentalists almost, but never quite drop out of sight...

Author: By Jill Curtis, | Title: Music Moondance | 4/10/1970 | See Source »

...ever the New Thing had a whole man, it was the late John Coltrane. An innovator, his "sheets of sound" technique and long (often 40 minutes) sonata-like solos on sax have revolutionized the jazz world. He was looked up to by other New Thing players as a friend and spiritual leader. "He seemed like a priest, the way he talked," recalls Saxophonist Pharaoh Sanders, a former sideman and now leader of his own group...

Author: /time Magazine | Title: Music: The New Thing | 4/6/1970 | See Source »

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