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...nasal accents in the background of jazz bands. "Bean," as Hawkins' friends called him, transformed it into an expressive solo voice that could breathe lyrical long tones on ballads or erupt into flights of dazzling arpeggios. In a sense, it could be said that he created the tenor sax, and players from Ben Webster to Sonny Rollins and John Coltrane have acknowledged their debt to his inspiration and style. After a life that spanned three generations of jazz, Hawkins died last week at 64, of pneumonia...

Author: /time Magazine | Title: Jazz: Farewell to the Hawk | 5/30/1969 | See Source »

...that right? Well I'm glad you made this one, cause look at all these fine women they got out here today." He winked and chuckled softly. Then he put the mouthpiece of his tenor sax to his lips and made a sort of "zonk" deep in the lower register. Just behind Emanuel, I spotted "Booker-T" Glass, the 85-year-old bass drummer. He was standing erect behind the clumsy, weathered old drum. The painted letters on the sides were barely visible: "Olympia Brass Band...

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

...sufferer from A2 HK-68, I protest against the use of the term "Hong Kong" flu [Jan. 31]. The crown colony was the first victim, not the originator, of the epidemic. The virus was clearly manufactured in the secret mainland laboratories of China, probably under the malevolent supervision of Sax Rohmer's archfiend, the Devil Doctor himself...

Author: /time Magazine | Title: Letters: Feb. 14, 1969 | 2/14/1969 | See Source »

...stage consisted of bassoon (dig it), sax, drums, and Ivers on harp--a careful balance of instruments that managed to blend and set off the tight lash of the harp-sound with a rich, creamy-textured backing. Also add one chick singer, dressed in an electric blue shalwar-kameez (that's what it's called, folks), the established jazz singer Miss Yolande Bavan...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...group was best on "Tobacco Leaves," a song that Miss Bavan did well. Perfectly-paced musically by Ivers, the song had a near blues-tempo, created by a softly rushing rhythm section and featuring some quivering solos on harp and sax. On "Gentle Jesus," another complex piece that switches from abstract dissonances to a version of swing, Ivers achieved a synthesis of blues and jazz on Paul Butterfield's In My Own Dream model...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

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