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...pregnancy and HIV transmission. Funding for abstinence-only education has increased substantially in the U.S., McGuire said, and intervention funds are dwindling. “We’re going in the wrong direction in terms of where we’re committing funds,” she said.Paul Sax, clinical director of the Division of Infectious Diseases and the HIV Program at Brigham and Women’s Hospital and associate professor of medicine at HMS, gave a presentation on medical and clinical issues in HIV patient care. One of his patients, Joan Bennett, talked about living with...

Author: By Rachel L. Pollack, CONTRIBUTING WRITER | Title: HMS Hosts First Student AIDS Forum | 11/7/2005 | See Source »

...complex, yet somehow still infinitely listenable. It is a capability that sets him apart as a unique performer with more than a few great performances. So, when an engineer at the Library of Congress recently discovered a supposedly lost 1957 recording of the Thelonious Monk Quartet performing with tenor sax legend John Coltrane at Carnegie Hall, jazz fans were foaming at the mouth...

Author: By J. samuel Abbott, CONTRIBUTING WRITER | Title: Review Of The Week: Thelonious Monk/John Coltrane | 10/7/2005 | See Source »

...Harvard University Saxophone Quartet: Sax Talk...

Author: NO WRITER ATTRIBUTED | Title: ARTS FIRST LISTINGS | 5/5/2005 | See Source »

...raucous chorus of trumpets and trombones, searching for its pitches through a sliding microtonal minefield. A small Renaissance ensemble often accompanies the shadowy, faceless Ariel (Mezzo Susan Quittmeyer) on his spritely missions, and his unaccompanied Where the bee sucks becomes a mock-Elizabethan song. A trio of alto sax, electric guitar and electric bass represents the bestial Caliban (Mezzo Ann Howard), and his drunken revels with Trinculo and Stephano are celebrated with some exquisitely low-down jazzrock that closes the first act in a brilliant theatrical burst. (Eaton, 50, a professor of composition at Indiana University, was a successful jazz...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

Harris’ sax heroics made a spiky take on “The Late Great Libido” soar, and a tipsy-gaited “Oahu” dashed the car-ad ambience of its album version. The stop-and-start guitars and propulsive horns of the night’s one new song recalled Kill the Moonlight-era Spoon crossed with the best aspects of Born to Run-era E Street Band...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Menomena Scale Back Sonic Experiments Live | 3/18/2005 | See Source »

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