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BODY AND SOUL: A JAZZ AUTOBIOGRAPHY (RCA Victor). Coleman Hawkins, the granddaddy of the tenor sax, says he got his famous full tone from trying to play over seven other horns. He managed so well that he has outblown and outclassed most other saxophonists of the past three decades. These 16 selections (1927 to 1963) bring back not only the Hawk but McKinney's Cotton Pickers, the Mound City Blue Blowers, and the bands of Fletcher Henderson, Lionel Hampton and Red Allen as well...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

...concert length and worth. Bassist-Pianist Mingus' debt to Ellington is most apparent in Invisible Lady where both mood and the stylish trombone solo of Jimmie Knepper are evocative of the Duke at his best. Peggy's Blue Skylight features Mingus on piano and a haunting tenor sax solo by Booker Ervin...

Author: /time Magazine | Title: Television: Oct. 23, 1964 | 10/23/1964 | See Source »

...fiddle, eyes hooded in dark glasses, sweat beading his forehead, his orientally sinister mustache drooping. He leaned over his big bass and began to bow. The mournful, dolorous, lyrical introduction swelled into the horns' full statement of the theme. A flute skittered in. Suddenly a roaring, vibrant alto sax soared over the full horns. Mingus dropped his bow, began to thump. He danced out in front of his bass, bouncing up and down, swarming over the instrument, crashing together swift blocks of strident chords. Drums pounded accents like a Mingus rage coming on. Suddenly, the music was thunder...

Author: /time Magazine | Title: Jazz: Beneath the Underdog | 10/2/1964 | See Source »

COLTRANE'S SOUND (Atlantic) is free, air borne and intense; his tenor sax describes a flashing, looping melodic maze in his composition called Liberia, pokes broodingly into small, dark corners in Equinox, has the jitters in Satellite. The fine drum mer Elvin Jones explodes some free-style fireworks...

Author: /time Magazine | Title: Television: Aug. 28, 1964 | 8/28/1964 | See Source »

...result is an eloquent sermon on what the bossa nova was originally all about. The relaxed, almost flat vocal styling of Joāo sounds as if he were whispering in your ear, and it is exquisitely embroidered by the ethereal solos of Getz's lyrical tenor sax...

Author: /time Magazine | Title: Music: Bossa Nova Nova | 7/31/1964 | See Source »

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