Word: saxes
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Jazz THE NEW WAVE IN JAZZ (Impulse!). Five combos, led by avant-garde Jazzmen John Coltrane, Archie Shepp, Charles Tolliver, Grachan Moncur and Albert Ayler. "Trane" sets the stage by skywriting his personal hieroglyphics with his tenor sax. Even farther out is Saxophonist Ayler. His Holy Ghost consists of hysterical, sizzling squiggles of sound played fast and high, while a drummer beats insistently, as though knocking on a locked door. "It's about feelings," Ayler explains...
...abstract musings of their own invention (Agitation by Davis, Iris by Tenor Saxman Wayne Shorter, Mood by Bassist Ronald Carter). Sometimes the drum, bass and piano drive the soloists, but mostly they provide only phantom rhythms under the fluid runs and fragmentary phrases of the trumpet and tenor sax. No one will be tempted to tap a foot or sing along, but few with any E.S.P. at all will stop listening...
This venture begins in appropriately gruesome style with the beheading of the late Sax Rohmer's durable archcriminal, who has already survived the perils of 14 books and four feature films, the last made in 1932. As Fu, "cool, callous, brilliant . . . the most evil and dangerous man in the world," Britain's Christopher Lee slithers in the footsteps of Warner Oland and Boris Karloff, and despite a vaguely Oxonian Oriental accent he doesn't look a hair sillier than his predecessors...
ANDREW HILL: POINT OF DEPARTURE (Blue Note). This is a highly individualistic combo with a strong visceral sound. The standout is the late saxophonist Eric Dolphy, who easily steals the record from Hill with searingly emotional solos, and stimulates Joe Henderson (tenor sax), Kenny Dorham (trumpet) and Richard Davis (bass). Hill believes in arrangements that give free rein to his musicians' personalities and their ways of extemporizing; on this disk he has achieved a memorable ensemble...
...wartime, and musicians were scarce, so Teagarden agreed to become his legal guardian and "teach me all my lessons." After the band broke up a year later, Getz went on to play with Stan Kenton, Jimmy Dorsey, Benny Goodman, and Woody Herman's famed "Four Brothers" sax section...