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When Robert Montgomery has the screen to himself, "The Saxon Charm" threatens to become a solid, intelligent film. Montgomery plays the part of the villainous Broadway producer Matt Saxon with skill and variety and as much subtlety as the script allows. Saxon in supposed to be the kind of domineering psychopath who wraps his will around everybody in his path, and drains them of individuality. He barges into their private lives, insulting, fascinating, and usually ruining them. That's the theoretical Saxon, at any rate...

Author: By David E. Lillenthal jr., | Title: The Saxon Charm | 11/6/1948 | See Source »

...news.' News coverage in our popular press is based on the principle that every paper every day must excel all its rivals in not 'missing' the latest news available ... The definitions of 'hot news' and 'news value' are largely an Anglo-Saxon convention...

Author: /time Magazine | Title: The Press: Some Like It Cold | 10/25/1948 | See Source »

...said Crossman, "Gresham's law of journalism does not operate. Hot news in Switzerland does not drive out cold information . . . The Swiss press's . . . major purpose is to inform, not to increase circulation ... Thus it has avoided both the French disease of political corruption and the Anglo-Saxon disease of sensationalism...

Author: /time Magazine | Title: The Press: Some Like It Cold | 10/25/1948 | See Source »

...fully enjoy The Saxon Charm, it would be necessary to believe in the writer as a writer and to be pretty thoroughly taken in by Mr. Saxon's charm. Since Novelist Wakeman is not exactly a dazzling writer himself, he has not created a very interesting one; nor is John Payne equipped by nature to play an author with much plausibility. Since Saxon's conduct, 90% of the time, is about as uncharming as possible, the problem of selling him to an audience ought to be tougher than it turns...

Author: /time Magazine | Title: The New Pictures, Oct. 18, 1948 | 10/18/1948 | See Source »

There really are people like Saxon, and Mr. Wakeman has managed to get whiffs of the truth about them into his leading character. What is more important, Bob Montgomery performs wonders with the part. Montgomery is one of the few graceful actors left since the death of Osgood Perkins, and he appears to have wit, experience and charm to burn. This is not one of his better roles, and he successfully gives the illusion of playing it without ever touching the handlebars; but in the midst of a well-tooled piece of emptiness, his is an enchanting performance to watch...

Author: /time Magazine | Title: The New Pictures, Oct. 18, 1948 | 10/18/1948 | See Source »

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