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...Jesus that is being worshipped is presented as a white, Anglo-Saxon male,” he said, adding “Republican” a few moments later...

Author: By Elisabeth S. Theodore, CRIMSON STAFF WRITER | Title: Minister Urges Racial Tolerance | 4/10/2002 | See Source »

...gave last week. When Kipling wrote those words, 100 years ago, the British Empire had been humbled in South Africa by a small group of Boer fighters who hated the overweening presence of Queen Victoria's realm. They were scruffy, hairy faced, profoundly religious in their battle against Anglo-Saxon materialism and extremely hard to find and destroy. It took no less than 300,000 men from Britain and the other dominions to overwhelm the Afrikaaner resistance in a three-year campaign. "We have had no end of a lesson," Kipling warned. British military forces were not equipped for guerrilla...

Author: /time Magazine | Title: No End of a Lesson | 10/1/2001 | See Source »

...sell to the coop are going to disappear," says Laurent Vaillé, owner of La Grange des Pères. "Mondavi was their last chance, the only thing that was going to help the coop stay alive. Mondavi would have shone a spotlight on Languedoc throughout the Anglo-Saxon world. There's no one else in the region who could do that." By opting for splendid isolation, Aniane may have left a golden opportunity to die upon the vine...

Author: /time Magazine | Title: A Case of Sour Grapes | 6/18/2001 | See Source »

French film director François Truffaut once said that English filmmaking was a contradiction in terms. The Brits have been saying the same thing about French pop music for decades. For the discerning Anglo-Saxon music lover, the country that gave the world Jean-Michel Jarre's po-faced pomposity and the embarrassing histrionics of paunchy, ageing rocker Johnny Hallyday had an awful lot to answer...

Author: /time Magazine | Title: Baroque 'n' Roll | 6/18/2001 | See Source »

...Modestly, Dunckel and Godin attribute their success to the decline of Anglo-Saxon pop into sterile nostalgia and carbon-copy teen acts. Like true Frenchmen, they cultivate a certain rebelliousness in the face of music business orthodoxy. "The entire industry has stopped taking risks," Dunckel complains. "The record companies are just delivering product to radio stations. But the current French scene is coming from home studios and that's what keeps it free and fresh. The big business music generated by record companies has been swept aside...

Author: /time Magazine | Title: Baroque 'n' Roll | 6/18/2001 | See Source »

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