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...solidity and jovial good sense appealed to French voters. His replacement, former Foreign Minister Couve de Murville, was highly effective at mystifying and icily putting down foreign diplomats. He is far less effective at reassuring French voters. Couve is, in fact, what one of his rivals calls "too Anglo-Saxon." In other words, the Premier, who is a member of France's Protestant minority, is too austere, cool and reserved to inspire much sense of confidence in the French people. At De Gaulle's behest, Couve went on the radio last month to try to cheer the French...

Author: /time Magazine | Title: World: FRANCE'S MELANCHOLY MOOD | 1/3/1969 | See Source »

...they reach that conclusion, South American officers are not bound by the strict moral prohibition against interfering in politics that would inhibit Anglo-Saxon military men. As a result of a legacy that dates back to the military's role in liberating the continent from Spain in the 1800s and to its subsequent support for social reform, the officers consider themselves the saviors and protectors of their countries' wellbeing. If the exercise of this lofty mission entails tossing a few politicians out of office, the military conscience remains untwinged...

Author: /time Magazine | Title: World: SOUTH AMERICA: ARMIES IN COMMAND | 12/27/1968 | See Source »

...film version of the musical, with nothing but the splendid score and the magnificent Fred Astaire to recommend it. The director, Francis Fred Coppola, has a bad habit of chopping people's hands and feet off; stars Petula Clark and Tommy Steele ought to act their age. At the SAXON, Tremont and Stuart...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/13/1968 | See Source »

High among their abilities, of course, is songwriting, and the album provides a handful of superb additions to the canon. The Continuing Story of Bungalow Bill, called an "all-American bullet-headed Saxon mother's son," is a cunningly simple ditty that flashes with hints of America's burgeoning violence and shrinking mythology. Cry Baby Cry demonstrates anew the Beatles' knack for rendering an Alice-in-Wonderland vision in a melancholy modern vein. Dear Prudence superimposes Indian-style drones and swooping tones on childlike lyrics ("Won't you come out to play . . . greet the brand...

Author: /time Magazine | Title: Recordings: The Mannerist Phase | 12/6/1968 | See Source »

...film version of the musical, with nothing but the splendid score and the magnificent Fred Astaire to recommend it. The director, Francis Fred Coppola, has a bad habit of chopping people's hands and feet off; stars Petula Clark and Tommy Steele ought to act their age. At the SAXON, Tremont and Stuart...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

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