Word: saxophonist
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Dates: during 1960-1969
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...annual meeting of the New York Conference of the Methodist Church in Bridgeport last month, Tenor Saxophonist Ed Summerlin, with sextet and chorus, presented the first performance of a new Liturgy of the Holy Spirit, with words by Poet William Robert Miller. Based vaguely on a Christian service described by the 2nd century theologian Hippolytus, the eclectic 14-part liturgy included jazz anthems in fairly conventional "cool" style, ballad-like congregational hymns reminiscent of Kurt Weill, choral passages as modal as a 14th century Mass. Florida-born Ed Summerlin began writing jazz for use in churches six years ago, when...
...Impresario Joe Napoli, who founded the event as repayment for the kindness shown to him by the villagers when he was a G.I. fighting in the Battle of the Bulge. Staged in the village meadow, the program will feature artists from eight countries, including the Woody Herman Band, Saxophonist John Coltrane, the Prague Dixieland Band, Germany's Woodhouse Stompers and Blues Singer Tany Golon from Katanga...
...growling trumpet, a wah-wah trombone). But there is deftness in most of his gentle transformations, and he seems to enjoy playing with the little pieces. The virtuosos of his big band step forward solemnly to play the songs of Mr. Banks, the children and the chimney sweep, and Saxophonist Paul Gonsalves scampers through Mary Poppins' exultant solo faster than one can say supercalifragilistic-expialidocious...
Jazz NOW'S THE TIME! (RCA Victor). After years spent stubbornly exploring the back roads of modern jazz, Tenor Saxophonist Sonny Rollins knows his way unerringly around the territory. He goes off like a firecracker in Miles Davis' Four, takes a postmeridian jaunt in John Lewis' Afternoon in Paris, nods to Charlie Parker in his dry-eyed blues Now's the Time, makes Thelonious Monk's 'Round Midnight sound fathoms deep...
BLACK PEARLS (Prestige). Tenor Saxophonist John Coltrane is the featured soloist, and he zooms boldly off to do some fine, abstract skywriting at Mach 1. Meanwhile, back at the piano, Red Garland waits to deliver earthbound but agreeable interludes of up-tempo swing...