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...music into an art music," said Gunther Schuller, explaining the kind of atonal, far-out compositions that he, John Lewis, Harold Farberman and Bill Smith have written for this album. The results are cooler and more cerebral than those of Eric Dolphy, the late wild-blowing, note-bending alto saxophonist. But Bill Smith (on clarinet) and the other instrumentalists are first-rate, and the music, though it seldom swings, consistently sizzles...

Author: /time Magazine | Title: On Broadway: Feb. 17, 1967 | 2/17/1967 | See Source »

Jazz ALFIE (Impulse). Tenor Saxophonist Sonny Rollins, best-known from his hard-bop days for a coarse tone and wild, harsh harmonies, has turned urbane and eloquent as composer of his first film score. This record is a series of new arrangements on the original sound track by Oliver Nelson, played by eleven good jazzmen, including Sonny. Alfie's Theme is a little long and ultimately empty, but then, that's Alfie...

Author: /time Magazine | Title: Television: Jan. 6, 1967 | 1/6/1967 | See Source »

...FLAT, G FLAT AND C (Impulse). The featured player is Yusef Lateef, who used to be plain William Evans, tenor saxophonist with Dizzy Gillespie. In the '50s, Evans changed his name, his faith (from Christian to Mohammedan), and the nature of his jazz, turning to such Middle Eastern instruments as the rebab and the arghool. Now he's headed farther east with The Chuen Blues, played on a three-stringed Chinese lute, and Kyoto Blues, on a Taiwan bamboo flute...

Author: /time Magazine | Title: Television: Jan. 6, 1967 | 1/6/1967 | See Source »

When the President's turn came to play host to the King, he summoned Jazz Saxophonist Stan Getz from the U.S. to the affair, held in a borrowed royal banquet hall, as a special gesture of appreciation for the elaborate, if subdued welcome that he had received. Though Bhumibol has played his saxophone and clarinet in swinging sessions with other U.S. jazz groups, on this occasion he sat back and enjoyed the show...

Author: /time Magazine | Title: The Presidency: Protecting the Flank | 11/4/1966 | See Source »

With his reputation burgeoning, Handy has now become the subject of the jazz aficionados' favorite diversion: endless treatises delving into his musical roots. The pedants find meaningful traces of Bartok and Shostakovich, of rhythm and blues and bebop, of African rhythms and Indian ragas, of Saxophonist Benny Carter (in the upper register) and of Clarinetist George Baquet (in the trills). John Handy hears differently. "More and more," says he, "I sound like John Handy...

Author: /time Magazine | Title: Jazz: Man With a Brain | 9/30/1966 | See Source »

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