Word: saxophonists
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...Next year," said Saxophonist Paul Desmond, "maybe they could arrange to have Eisenhower at the same time." Just about everybody else, it seemed, was on hand last week for the opening of the fifth and biggest Newport (R.I.) Jazz Festival. The Duke was back for a Tribute-to-Ellington night; Benny Goodman was there for nostalgia. Trumpeter Miles Davis had declined this year's invitation: "What, me dig that crazy scene? Never!" But he too was there last week-along with Gerry Mulligan, Dave Brubeck, Lee Konitz, Sonny Rollins and a clutch of others-because the "crazy scene...
...blue-serge treatment. I had to work hard to get that rough-tweed effect." Language was a problem too; Brown's instructions to a sax man, for instance, were delivered to a trombonist, who translated them to a trumpeter, who again translated them for the confused saxophonist. The situation was further complicated by the fact that Brown's band was to play mostly new works, especially commissioned for the festival, e.g., John La Porta's Jazz Concerto for Alto...
...crossed to Britain, where a song called Tom Hark became the top jukebox hit so fast that record companies have ordered a half dozen new pennywhistle tunes. Princess Margaret herself has cut some kwela steps. Pennywhistle records will soon liven U.S. jukeboxes; American jazzmen (including Clarinetist Tony Scott, Saxophonist Bud Shank, Pianist Claude Williamson) went to Johannesburg to learn and record the new sound...
...Group; RCA Camden). The Swedes swing lightly and flexibly through Topsy Theme, Gone With the Wind and other numbers with the air of men with their hearts in their horns, but in their cooler moments (Relax, Blue Moon) they sometimes seem about to fade off the record. Alto Saxophonist Domnerus wanders through some seamless lyric flights translated from Charlie Parker's and Benny Carter's books...
Most Likely . . . (Dick Johnson, with Dave McKenna, piano; Wilbur Ware, bass; "Philly" Joe Jones, drums; Riverside). An alto saxophonist with wit and a springy, willow-green reed sound, Johnson bounces through a few of his own sunny fancies (Aw C'mon Hoss, Me 'n' Dave), gives fresh nuances to some twilit standards (It's So Peaceful in the Country, The End of a Love Affair). Among his best: a gusty frolic called Lee-Antics, which rings its intricate changes with geysering exuberance, builds to a stunning solo flight on the drums...