Word: sayed
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Dates: during 1960-1969
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...reporter would then return to the game and mutter "Cheap." Translation: No story, because the motive was routine and the victim was a nobody. There were other supposed nobodies. When checking on, say, "a floater d.o.a. at County" (a drowning victim pronounced dead on arrival at Cook County Hospital), the first question was, "Black or white?" If the dead man happened to be Negro, the reporter would "cheap it out." As for impersonating public officials, it was accepted practice. More than one reporter telephoned the scene of a crime and barked, "Hello, this is Coroner Toman," only to be told...
...easy to say that English is an ageless language ever renewed by fresh words and concepts. But lately it has been polluted by creeping neologisms and solecisms, many of them spawned by military jargon, television clichés and youthcult dialects. Should lexicographers rubber-stamp the linguistic junk or rear back and proclaim standards...
Last week Drysdale, 33, finally did call it quits. At a crowded and emotion-charged news conference in Los Angeles, he gravely announced: "I deeply regret having to retire, but as they say, there are some things that are inevitable -like death, taxes and retirement from professional sports. The elasticity is gone from my arm, and I haven't been able to throw a good fast ball all year. I couldn't stand to be a four-inning pitcher, and that's just about all I'm good for now." Appearing with Drysdale, Manager Walt Alston...
Famous prima donnas are apt to regard a bout with contemporary opera as roughly equivalent to a gargle with sulphuric acid. Modern composers, singers say, don't know how to write. They ruin voices by demanding odd and un-vocal sounds. Though this attitude is widespread, there is evidence that it is less a matter of fact than fashion. Birgit Nilsson, though she sings no contemporary opera at all, points out that composers are usually ahead of performers. Wagner's Tristan und Isolde, she observes, was abandoned as un-performable, "yet nowadays no dramatic soprano can be considered...
This cozy quality, alas, has never done the stomach-Steinway much good with serious classical musicians. Its tone, they say, is too wheezily domineering for accompaniment and too monotonous for anything else...