Word: sayed
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Dates: during 1970-1979
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Alternatively, the state manufactures both high-and low-priced versions of, say, furniture. But, in the old bait-and-switch technique, the cheaper items are often not available. The price of basic bread in Poland has remained officially unchanged for 15 years at 6? per lb.; but newer-style and more popular breads of higher quality that contain honey or bran and cost up to three times as much are also frequently unavailable...
...casual visitor, it looks like a typical boarding school for the overprivileged-300 acres in Stockbridge, Mass., a mansion, dorms, art studios, a gym, music rehearsal rooms and a barn, and 150 teen-agers so bright-faced and chipper that local residents say they can identify them by the "DeSisto glow...
...this as an accepting, caring place," says a girl named Lisa. From across the room comes the commentary of a fellow student: "Do you believe that? I have a hard time believing anything you say." Admits Lisa: "I bullshit a lot." In a therapeutic community, no one is ever offstage, and Lisa's reputation for lying will make every conversation a confrontation until she breaks the habit...
...basic question at DeSisto, in and out of therapy, is "Where are you?" The answer usually comes in Gestalt terms of physical feelings. "My heart is pounding," one girl will say, or "I'm shaking all over. I'm very embarrassed." The student will be urged to "stay with the feeling." There is a lot of gentle mockery, and requests for hugs are granted, but no Esalen-like, nudie-feelie techniques are allowed. Guilt feelings are frowned upon, and youngsters are not allowed to blame themselves for long. One girl whose parents beat her is coached to tell...
...ineloquence has a lot to do with native American culture, being woven into the American sense of the epic-and in painting, Still is its living example. His entire output is a repudiation of the cult of the "well-made picture." From the beginning, Still's art-unlike, say, de Kooning's-set itself in opposition to the cubist tradition with its small scale, ambiguities of space and geometric calibration. What he wanted, and had found by 1947, was a much simpler, grander and more declarative kind of structure: opaque, ragged planes of color rearing up the surface...