Word: sayed
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This is especially true for the lyrical style that CDT practices. A combination of ballet, jazz, and modern dance, lyrical style movements speak directly to the words and tone of a song using gestures and facial expressions. “If in the song the lyrics say that something is far away, then you extend your arm out to indicate that,” Szpak explains...
...authoritarian, self-governing society, “Once an idea has taken hold of the American people’s minds, whether it’s a just one or an unreasonable one, nothing is more difficult than to uproot it.” One could say Harvard Professor Leo Damrosch faces this challenge in writing “Toqueville’s Discovery of America.” In his new book, Damrosch is attempting to remedy the general American conception of Tocqueville through a meticulously-researched, accessible, and thoroughly charming account of the writer’s journey...
...actors and directors to keep, the asses in the seats. Period. This is what pays the rent.... The purpose of theatre is not to instruct, to better, to expiate. It is to entertain.” Mamet’s perspective on drama is simply reductive. To say writers such as Thornton Wilder, Tennessee Williams, and Edward Albee are worthwhile simply because they put “asses in seats” is to grossly undermine the impact they have had on dramatic literature. Beyond that, it is incredibly restrictive to ascribe entertainment as the sole purpose of drama...
...compares the theatrical experience to that of a hunt, insofar as the audience experiences a primal drive to follow the plot along. He uses this metaphor to account for the suspension of disbelief: “We suspend the rational process of intellectualization, which is to say, of the comparison of phenomenon to idea, which is a process too slow for the hunt.” The connection he draws between the theater and the primal rings true, even if the analogy he uses to explicate his point is a bit overwrought...
...wrote a draft my sophomore year; it wasn’t for course credit or anything. I just really felt like I needed to write it, and I wanted to write a full-length musical. They say to write what you know, so I took everything that I knew and threw it into the pot and called it “In the Heights,” and then over the course of the eight-year process getting “Heights” to Broadway, I learned how to write. It’s a lot of discarded songs...