Word: sayinã
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...stimulating light show exciting the audience in a way that Park never managed. Whereas Park merely tapped toes and exchanged glances, Wale at least made attempts to excite the crowd, with hand-waving, cursing, and the universal epithet “you know what I’m sayin??.” And although this didn’t single-handedly save the show, it at least made the set decently entertaining, while the other artists left the audience hanging...
...rapping about the tried and true subjects of cars, cash, and clothes, Wale also samples from “Na Na Hey Hey Kiss Him Goodbye” by the long-forgotten 1970s pop band Steam and welcomes Lady Gaga onto the track. “They keep sayin?? whale, but my name Wale” he complains before proclaiming “you redundant, you never ever change.” Unfortunately the collaboration with Lady Gaga, which sometimes feels stilted and forced, is the weakest component of the track. But Wale redeems himself...
...says. After offering the course every other year for four years in the 1970s and 1980s, however, Everett’s appointment did not allow him to assume any further teaching responsibilities. This year, Ingrid Monson’s Literature and Arts B-82: “Sayin?? Something: Jazz as Sound, Sensibility, and Social Dialogue” is the only class to focus on jazz. The course was offered through the Core rather than the Music department.Both Everett and Schachter, as well as Noah L. Nathan ’09, the student manager of the Monday Jazz...
...inappropriate. What’s a word that you think people should start saying? R: “Politickin’.” FM: What does it mean? R: Politickin’ means to keep moving into politics, like learn and grow from it. Like if you sayin?? that you doin’ something and you being the best at it, and you stepping into that arena, you dealin’ with politics...Time is of essence. Time ain’t always there for us, it’s just what you make...
Core classes are notorious for having long, unexciting lectures and mind-numbing sections. Given this context, Literature and Arts B-82, “Sayin?? Something: Jazz as Sound, Sensibility and Social Dialogue,” stands out for its guest lecturer this week. Geri Allen, an award-winning pianist and composer, is one of the most prominent female musicians in jazz today. Allen is finishing up a week-long residency at Harvard consisting of educational discussions, performances, and hands-on practice. The Music Department originally invited her to participate in the lecture with funding from the Blodgett...