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JHFH: Well, in the original script Richard Young does die. I don’t want to say that it’s all one big metaphor, but it is sort of metaphorical. There’s a Richard Young at the beginning of the film and a Richard Young at the end of the film, and the two are not the same...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Spotlight: John Henry F. Hinkel '12 | 3/2/2010 | See Source »

...Would you say that the plot of this film is secondary to the character development...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Spotlight: John Henry F. Hinkel '12 | 3/2/2010 | See Source »

Restrictions also make dining with residents of other houses more difficult. The one resident, one guest policy can cause problems for groups of diners that include residents of multiple houses. For example, since I live in the Quad, when I want to eat dinner with friends who live in, say, Winthrop and Lowell, the three of us have no choice but to join the crowds in one of the view houses without restrictions...

Author: By Ellen C. Bryson | Title: Inter-house with a Human Face | 3/2/2010 | See Source »

...does not suffice for you to say I am a sweet girl,” croons Joanna Newsom on the final song of “Have One on Me.” Nor does it suffice, after listening to the new album, her third, to marginalize the gifted harpist, pianist, and singer-songwriter any longer...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Joanna Newsom | 3/2/2010 | See Source »

...rest of the album, this track is marked by a heavier bass line and more reverb. Much like the rest of the album, however, the lyrics still leave a little to be desired—“You’re all talk and nothing to say / We don’t want, don’t want what you’re giving away” runs the much repeated and emotionally-empty refrain. The attempt at alteration is at least admirable, however, given the rather repetitive nature of the rest of the album, however...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Lifehouse | 3/2/2010 | See Source »

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