Word: says
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Dates: during 1870-1879
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...ones steam-pipes were substituted for open hearths, which is a disadvantage that all Harvard students will appreciate. No may I ask what there is in these opinions that is "insulting" to Yale and Tufts, or "disgraceful" to myself? Again we have an untrue statement: "He says that because we pay over twice as much, on an average, for our rooms as they do at Yale, our rooms are therefore twice as good as those at Yale," In my article therefore is nothing that could even be misunderstood for such a remark. I am sorry to be obliged to say...
...think that I have written sufficient to show the character of this article, and do not care to pursue the subject further. In his desire to say something disagreeable the writer has overstepped all bounds of truth and propriety. It is to be hoped for his own credit that the next time he is troubled with a bilious turn he will refrain from using his pen, and in conclusion I may remind him of the appropriate proverb, "A little pot boils over easily...
...dinner-party gentlemen of only one profession. If there are none but clergymen present, conversation will turn on theology; if lawyers make up the party, their chat will be of a professional character; and if the dry-goods business is the only one represented, it is safe to say the guests will talk "shop...
...writers ground out their dreary tunes. If the seventeenth-century novels give a true picture of the life of that day, one cannot help thinking how differently life, as regards conversation, was arranged then from what it is now. In those times every one had a good deal to say, and had plenty of time to say it without interruption; but now, although we are just as talkative as our ancestors, we don't reel off our speech all at once, for, if we did, we should be called bores; but we break it up into short sentences...
...beginning of the second part, was in our opinion by far the best. The peculiarly calm, finished, and classical style of the author was rendered in a style which showed careful practice and artistic appreciation on the part of the orchestra; but to Jungmann's "Heimweh" we cannot conscientiously say justice was adequately done. The rich sweet chords of Fesca's trio for piano, violin, and 'cello by Messrs. Deane, Taussig, and Apthorp were happily expressed, though more practice would undoubtedly be followed by greater proficiency...