Word: scab
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...Again," says Crest just re-released a commercial she shot in the 1960s. There are also few new spots that feature celebrity appearances or star voice-overs. A rare exception is Tiger Woods' Buick commercial; the golf god shot it in Canada and, when told he was a scab, feigned ignorance of SAG rules...
...bonding - began in the harsh world of the penal settlement. It continued in the hardly less tough environment of labor that was the lot of most men in the bush: shearers, station hands, shepherds. To have a mate was to survive; to betray that mate was to be a scab, less than a man; such was the hard calculus of colonial life, and its traces are very much alive in Australia today...
...wisdom of enforcing court orders that required the desegregation of Southern public schools, by busing if necessary. A lot of people didn't like the idea. Buchanan was one. As he told Garment, he was working on a speech for Vice President Spiro Agnew that would "tear the scab off the issue of race in this country." In a White House memo, Buchanan argued that "the ship of integration is going down; it is not our ship; it belongs to national liberalism; and we ought not to be aboard." He left the Ford Administration when he didn...
...lost in such cable-ready classics as Sister, Sister and Miami Blues. Lately, though, strenuous mannerism has clotted her work: bizarre accents in The Hudsucker Proxy and Mrs. Parker and the Vicious Circle, and, here, a surrender to the excesses of actressy masochism. As Sadie, she leaves no emotional scab unpicked. It's a role for which her voice, carriage and technique are ill suited; she's too small for these grandiloquent gestures. Georgia's big set piece is an eight-minute (or possibly eight-hour) Joplinesque song in which Leigh screams, whines and pleads "Take me back" while falling...
...such cable-ready classics as "Sister, Sister" and "Miami Blues". Lately, though, strenuous mannerism has clotted her work: bizarre accents in "The Hudsucker Proxy" and "Mrs. Parker and the Vicious Circle", and, here, a surrender to the excesses of actressy masochism. As Sadie, Corliss notes, Leigh leaves no emotional scab unpicked. "It's a role for which her voice, carriage and technique are ill suited; she's too small for these grandiloquent gestures. Georgia's big set piece is an eight-minute (or possibly eight-hour) Joplinesque song in which Leigh screams, whines and pleads "Take me back" while falling...