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...every year find the church little more than a musty ruin. The southern façade is some 6 in. out of plumb, held up by a cat's cradle of iron shorings erected by the British in 1935. Under the crumbling vaulting of the south transept, a scaffold has been put up to protect tourists from falling masonry. The facing of Christ's tomb itself is crumbling; large stones fall from the cornice of the cupola ceiling; leaks abound...

Author: /time Magazine | Title: Religion: Tottering Sepulchre | 6/13/1960 | See Source »

Time fof Chop-Chop. A million candles etch the initials P. and C. against the night sky of Cincinnatus' home town. On the ride to the scaffold, bouquets of flowers pelt P.'s and C.'s open car. The whole vulgar holiday is surrounded by rules and rituals of elaborate illogic. Finally, the moment nears "to do chop-chop," as M'sieur Pierre puts it childishly; and childishly, too, the prisoner seeks to save his last shred of self-respect as he mutters: "By myself, by myself." Author Nabokov saves a climactic surprise for the chopping...

Author: /time Magazine | Title: Books: The Dream of Cincinnatus C. | 10/26/1959 | See Source »

...leading role, Choreographer Graham presented the last struggles of Mary Queen of Scots to Webern's expansive Passacaglia, Opus i, Six Pieces, Opus 6. The work detailed Mary's discard of the symbols of statecraft, her hopeless duel with Elizabeth, her course to death on the scaffold. Brilliantly costumed, the work had some stunning theatrical effects: the sudden revelation of Elizabeth in shimmering gold gown as her high-backed throne turns slowly to the audience, the ritualistic tennis game played with gold rackets and balls by Elizabeth and Mary. If the work of Choreographer Graham sometimes seemed pretentious...

Author: /time Magazine | Title: Music: Atonal Ballet | 5/25/1959 | See Source »

Rocky Ground. For each work he spends months in research, more months in building up a mathematically scaled clay model, still more months at the easel or on the scaffold. A minute error can be heartbreaking. In a recent scale model, Benton had painted a birchbark canoe being set on the ground by a group of Indians. "People looking at it would ask right off what kind of damn fool Indians would be dragging a birchbark canoe across rocky ground. That changed the mural's entire design and set me back weeks. I had to do the model...

Author: /time Magazine | Title: Art: Rebel Against Rebellion | 2/23/1959 | See Source »

...Then one day Picasso disappeared into his big second-floor studio, and became a changed man. "There was a tragic preoccupation on his face," says Novelist Hélène Parmelin. Every day after lunch he would go up to his studio "like someone going up to the scaffold." Picasso was attempting to repaint in his own manner and to do an analysis on canvas of the picture he considers one of the world's greatest-Velásquez' Las Meninas...

Author: /time Magazine | Title: Art: The New in the Old | 12/22/1958 | See Source »

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