Word: scaffolding
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...explain his action. He speaks too of God, but I come away from text and performance feeling that this More's God is one Sir Thomas would not have recognized. Bolt gives us almost a Tillichian "ground of being," not the deity of A.D. 1535. When More on the scaffold protested that he "died the King's good servant, but God's first," he, I think, had a simpler more direct faith than Bolt has been able to find words for, a belief whose awful (in its original sense, if you please) intensity we can scarcely comprehend and which...
...crowd had gathered on the grassy expanse of Leopoldville's Grand Place. Small boys were perched in trees to get a better view, and teen-agers jammed the roof of the nearby African culture center. In the center of the square, cordoned off by police, stood a makeshift scaffold. A red circle had been painted in the middle of its collapsible wooden platform. A strong, rough rope hung down from the crossbar above. A row of open coffins, trimmed with gold and lined with white sheets, lay waiting on the ground below. Four enemies of Army Strongman Joseph Mobutu...
...essential: the visitors intended to leave no witnesses. Within two months the killers, who had collected a tabletop radio, binoculars, and less than $50 in cash from their victims, were captured and condemned to death. Last April, after five years of legal delays, Smith and Hickock went to the scaffold in the Kansas State Penitentiary...
First the tympani's unbelievable crescendo at the start of the March to the Scaffold, then the mock-serious strings, followed by all that nonsense for the bassoons. Finally the inevitable tuba, and a great off-beat joke by the percussion utensils. The Dream of a Witches' Sabbath flaunted its own goodies, notably the raucous way the clarinets, flutes, and bassoons treat the witches' dance tune (a perversion of the Beloved's theme). The brasses' evil parody of the dies Irae plainchant seemed to have more downright nastiness to it than ever before...
...wide frieze around the Capitol Rotunda, below the dome, illustrating the history of the New World from the landing of Columbus to the Great Gold Rush. He was 72 when he started, and he had finished six of the 15 panels when, in 1879, he fell from his scaffold chair, grasped at the ropes and hung for 15 minutes before being rescued. Brumidi never fully recovered from the shock of the experience, spent the last few months of his life working in the seclusion of his studio, while other artists finished the work that he had begun. He died...