Word: scala
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...widened repertory. Out also went the monogamous relationship Ormandy and the city had enjoyed. Muti, conductor laureate of London's Philharmonia Orchestra, declared that Philadelphia would have to share his services with other leading musical organizations; indeed, later this year he will also become director of Milan's La Scala opera house. Muti even voiced the heretical notion that the orchestra should abandon its historic home, the Academy of Music, and build a larger hall, better equipped for television and more acoustically suitable to symphonic music. By the time Ormandy died at 85 last March, the Philadelphia sound...
...Down south in Sardinia, Diana took first place in the eyes of charmed Italians, who were treated to a profusion of lovely clothing changes at each of the dozens of stops. The only stir was caused by what she didn't wear to a gala at Milan's La Scala: a stunning gold lame creation that the Princess modestly eschewed for a more conventional gown. "When people are guiding you, they sometimes touch bare flesh," Diana explained later. "It's rather embarrassing...
Both versions are strongly influenced by the 1940 Kirov production by Leonid Lavrovsky, who worked closely with Prokofiev. This is the composer's best ballet music: rich, copiously dramatic, with a sunny spiritual radiance in the love scenes. Cranko set it first for the ballet of La Scala in 1958 and four years later for his own fledgling troupe, the Stuttgart Ballet. He was able to show off his inexperienced dancers without exposing their deficiencies with anything too intricate. That approach well suits the Joffrey youngsters, whose average...
...spun high C. From her 1957 debut in San Francisco, as Madame Lidoine in Francis Poulenc's Dialogues of the Carmelites, Price was recognized as a major talent. The following year, Conductor Herbert von Karajan cast her as Aida in Vienna; when she sang the Ethiopian princess at La Scala in 1960, one Italian critic exclaimed: "Our great Verdi would have found her the ideal Aida." Her Met debut came in 1961, as Leonora in Verdi's Il Trovatore; that performance provoked a prolonged ovation for only the fifth black artist to sing a major role in the house since...
Originally, Maazel had declared that he would not return to Vienna after his contract expired in 1986. With what appeared to be almost gleeful haste, the opera company signed his replacement, precipitating his departure rapido: Italian Claudio Abbado, 50, who finished as music director at Milan's La Scala opera house last month. (Maazel's purely administrative duties have fallen to new General Director Claus Helmut Drese.) To fill Abbado's prized post, La Scala tapped another Italian, Philadelphia Orchestra Conductor Riccardo Muti, 42. In 1982 Muti rejected a similar offer from London's Royal Opera...