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...will bring his sense of theater and his fondness for growth and risk to his tasks at Kennedy Center. His first two productions in Washington were Ginastera's strident Beatrix Cenci (TIME, Sept. 20) and Handel's rarely performed Ariodante. Though he hopes to invite La Scala, the Vienna Staatsoper and Britain's Royal Opera to Washington, he wants "nothing to do with a glorified booking house." Included in his future plans for the center are a series of programs of choral masterpieces that will employ the resources of the city's excellent choirs...

Author: /time Magazine | Title: Music: Julius the Cool | 11/1/1971 | See Source »

Poor Romeo. He and his Juliet seem doomed to be endlessly reincarnated across the stages of the world. From Broadway to Hollywood, from La Scala to the Met, from the Bolshoi to Manhattan's New York State Theater, there is scarcely an evening when somewhere or other the young lovers are not locked in one another's arms. One of the most affecting renditions of their adaptable story is the dance created by Antony Tudor in 1943 for the American Ballet Theater (then known as just plain Ballet Theater). Last week, after several years out of the repertory...

Author: /time Magazine | Title: Dance: Living by the Star System | 8/2/1971 | See Source »

...that were like valentines to each other. Here are five of them: Brahms' Tragic Overture, Beethoven's Leonore Overture No. 1, the Weber-Berlioz Invitation to the Dance and, for the first time on American LP, Mozart's Magic Flute Overture and Rossini's La Scala di Seta Overture. As usual, the maestro's familiar musical gusto is the controlling factor, augmented by the expressive freedom he accorded the BBC first-desk men in their solo work. There is also a certain pervasive ease and serenity not always foud in Toscanini's subsequent recordings...

Author: /time Magazine | Title: Music: Old Gold | 3/15/1971 | See Source »

...Italian way, as TIME's Rome Bureau Chief James Bell explains, is based on unreconstructed individualism. Everyone fancies himself the tenor singing a solo at La Scala; nobody is willing to settle for serving as the relatively faceless member of a big choir. "There isn't a political leader in the country," one party boss candidly admits, "who will subordinate his party's desires to the good of the state." For that matter, there is probably not a political leader who would subordinate his own personal ambitions to the good of his party, either. The result: everybody...

Author: /time Magazine | Title: Italy: The Soloists | 4/6/1970 | See Source »

...houses in Germany, an apprenticeship that left her able to cope with anything-including an orchestra pit so low that she lost a few bars because she could not see the conductor's baton. Subsequent triumphs at the San Francisco and Chicago Lyric Operas, Covent Garden and La Scala were proof of her versatility. In 1960, back in the U.S., she married Henry Lewis, a young Negro who now is conductor of the New Jersey Symphony. Though her white friends warned her against it, black-white hostilities have been little problem. What caused a strain, Marilyn admits...

Author: /time Magazine | Title: Music: Marilyn at the Met | 3/16/1970 | See Source »

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