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Good Italian ballerinas are about as scarce as Russian boccie bowlers. But audiences at La Scala last week cheered a 23-year-old dancer, daughter of a Milan streetcar conductor, who was all but stealing the stage from Britain's famed Margot Fonteyn. Occasion: the world premiere of Fantasy at Grand Hotel, starring Ballerina Carla Fracci...

Author: /time Magazine | Title: Music: Splash for Little Spinach | 2/22/1960 | See Source »

Ballet at La Scala was for years behind the rest of the world, with choreography and staging sometimes below the level of New York's Radio City Music Hall. But Choreographer Leonide Massine's appealing work demonstrated that La Scala is trying hard to catch up. The ballet opened against a backdrop of black-and-white hotel exteriors reminiscent of Ludwig Bemelmans drawings; the story then moved to nightclub, courtroom and prison as it told of a girl who is wooed by a gangster, framed in a gangland shooting, sentenced to death, but liberated by a previous lover...

Author: /time Magazine | Title: Music: Splash for Little Spinach | 2/22/1960 | See Source »

MOSCOW--The Soviet Union and Italy have proposed a cultural agreement that would bring the La Scala Opera Company to Moscow...

Author: By The ASSOCIATED Press, | Title: Huge Crowd Honors Eisenhower; President to Leave India Today | 12/14/1959 | See Source »

...stage of Milan's La Scala one evening last week, Charles V, Holy Roman Emperor, mused about the futility of wealth and power. The aria, Oh! de' verd'anni miei, got hearty applause. After the curtain fell on the third act of Verdi's Ernani, barrel-chested Baritone Cornell MacNeil scurried back to his dressing room, where he signed his name to a La Scala option for next season. Then he dispatched a cable to his wife in Cliffside Park, NJ.: "We tore up the pea patch, doll...

Author: /time Magazine | Title: Music: Baritone in the Pea Patch | 3/16/1959 | See Source »

...Scala debut last week MacNeil was in typically impressive form: his rich, flexible baritone soared and swelled with enormous power; his acting had about it a quality of vibrant conviction that dominated the stage. Once he moved the house to bravos. Few in the audience realized that MacNeil was there for merely a one-shot appearance, was not given a rehearsal with the cast or orchestra. And few but La Scala's sharpest critical ears detected that MacNeil speaks no Italian, has to learn his roles by rote. Said MacNeil modestly: "There isn't much acting required...

Author: /time Magazine | Title: Music: Baritone in the Pea Patch | 3/16/1959 | See Source »

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