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...performances), its 40 individual roles and choruses of several hundred, all proved too discouraging. But last week the Italian city of Florence put on a digested, four-hour version as the high spot of its May music festival, and as a triumphant coup over Milan's lordly La Scala...

Author: /time Magazine | Title: Music: Tolstoy, Digested | 6/8/1953 | See Source »

Chief credit for both the production and the coup belonged to Veteran Conductor Artur Rodzinski. La Scala had arranged with the Soviet Ministry of Culture to produce next season a revised version of the opera (on which, the ministry said, Prokofiev had been making "technical changes"). Conductor Rodzinski, who now lives in Florence, had an idea that he could beat La Scala to the punch. He remembered that the Metropolitan Opera had once planned to produce War and Peace and that Manhattan's Leeds Music Corp. had a copy of the score...

Author: /time Magazine | Title: Music: Tolstoy, Digested | 6/8/1953 | See Source »

...sets, five of them elaborate"; and an Italian translation. Rodzinski tricked up musical interludes to connect a series of five short scenes in Act I. The countryside was scoured for singers willing to tackle an unfamiliar score. Total cost: close to $400,000. When Milan's La Scala (and the Soviet Embassy) protested, the Florentines retorted that Russia does not adhere to the International Copyright Convention-and kept on working...

Author: /time Magazine | Title: Music: Tolstoy, Digested | 6/8/1953 | See Source »

Married. Mattiwilda Dobbs, 27 coloratura soprano of Atlanta, Ga., who last month became the first Negro ever to win a principal role at La Scala opera house (TIME, March 16); and Luis Rodriguez Garcia de la Piedra, 30, Spanish journalist; in Genoa, Italy...

Author: /time Magazine | Title: Milestones, Apr. 13, 1953 | 4/13/1953 | See Source »

...Hoosier-born Princeton man, Barbe conducted at Milan's La Scala when he was 19; after he came home from World War II he conducted the Portland (Ore.) Symphony for three years. Today 44-year-old Barbe broadcasts his programs from a $40,000 studio built into his Houston home. Because he feels that "our audience is at least as intelligent as we are," he treats advertisers as they have rarely been treated before: he puts on their commercials only when he sees fit, edits and cuts them. Barbe is busy planning an elaborate Easter week program including Marcel...

Author: /time Magazine | Title: Radio: Culture in Texas | 4/6/1953 | See Source »

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