Word: scala
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...Small, barrel-chested Baritone Carlo Tagliabue of Milan's La Scala appropriately strutted the proscenium as Ethiopia's Ras Amonasro in Aida. Looking club-footed in high-heeled stage shoes, Mr. Tagliabue was not so bad that the critics had to boo him. But Gina Cigna (Aida) sang more than one of her Numi Pietàs a quarter of a tone flat, while greying Giovanni Martinelli (Radames) eked out aging vocal chords with a veteran's caginess...
...Masini worked once as a stevedore, then as a mechanic, was sent to Milan by admiring townsmen. He claims that he never took a singing lesson, that the Milanese taught him only repertory. He made a debut in Livorno (Tosca) in 1928 and has sung since at La Scala and other leading European opera-houses...
...Paris Exposition, picked them out to dance at the Exposition's international dance festival July 2. The Rockettes are the first U. S. dance troupe officially invited to appear in France. They will represent the U. S. on a program that includes such distinguished performers as La Scala Ballet, the Copenhagen Opera Ballet, the Soviet Ballet...
...newcomer was Gina Cigna, who has been singing roles at La Scala since Toscanini recommended her there six years ago. The late great Respighi chose her to take the lead in his La Fiamma. Mme Cigna made her Metropolitan debut last month as Aïda. Her singing was so warm and rich, her dramatic sense so keen, that the audience called her before the curtain time after time. Later she sang Ponchielli's La Gioconda, Bellini's Norma, Leonora in Verdi's Il Trovatore. Though Cigna has a frail lower voice and occasionally forces notes...
...Milan last week a premiere for which Italy had waited almost a year came to pass. Nobles, diplomats, artists and high society packed into La Scala to hear singers retell the story of Lucretia's rape, the people's revolt and the eventual founding of the Roman Republic. Composer Ottorino Respighi had made his new opera dovetail scrupulously with Livy's 2,000-year-old account. As usual in his later work he had been sparing with orchestral effects, taken pains that voices should nearly everywhere prevail. Many pronounced Lucrezia the best opera Respighi ever wrote...