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...land lay, see which fences needed mending most, he began making the rounds of his property. On some of these trips he took Sisi with him. In the Italian provinces, where Austrian misrule was worst, even the paid hands would not clap the royal owners. At the Scala in Milan, the audience had to be commanded to attend, under penalty of fines: the aristocrats sent their servants to fill the seats. Sisi's charm and beauty made some impression on the scowling Italians; but it was not till she reached Hungary that she tasted triumph. There she was almost...

Author: /time Magazine | Title: Books: Franzi & Sisi | 2/22/1937 | See Source »

...favorite in Berlin; Soprano Franca Somigli, who grew up in Manhattan as plain Marian Clarke, won fame four years ago in Europe and delighted Mussolini; Soprano Gina Cigna, who earned a gold medal studying piano at the Paris Conservatory, has been a star at Milan's La Scala ever since Toscanini recommended her there six years ago. Much was expected of Kerstin Thorborg, tall young Swede whose contralto won her first place at the Stockholm Royal Opera...

Author: /time Magazine | Title: Music: Met's Metamorphosis | 12/21/1936 | See Source »

...surprise appointment was that of Britain's John Barbirolli, 36, an unknown so far as most Philharmonic subscribers were concerned. Conductor Barbirolli was born of a French mother and an Italian father who played the violin under Toscanini at La Scala. Except for his music the young conductor seems typically British. He was born in Bloomsbury, loves Bloomsbury, lives in Bloomsbury in a four-room flat. He relishes Yorkshire ham and cricket matches. But, like the Barbirollis before him, he took naturally to a musical career. At 11 he made a concert debut as a cellist. Later he toured...

Author: /time Magazine | Title: Music: Philharmonic Line-Up | 4/20/1936 | See Source »

...Johnson soloed in the Brick Presbyterian Church, then sang in a Broadway musical comedy to earn enough money for study in Italy. There, as in the U. S., his plain Anglo-Saxon name was a handicap. He changed it to Eduardo di Giovanni, made his mark at La Scala before he was invited home. For more than a decade he has been the No. 1 North American-born tenor. Others may sing louder. But Johnson never errs as an artist, never fails to be an attractive, credible hero. As Roméo and Pelléas he has surpassed...

Author: /time Magazine | Title: Music: Tenor in Power | 5/27/1935 | See Source »

Mascagni's enthusiasm extended even to his murderous crack-brained hero who appeared on La Scala stage as a dreamer who fiddled while Rome was burning because he was sincerely absorbed in his music. La Scala had staged a lavish production but, even to many who cheered, it all seemed rather foolish. First act was in a murky tavern where Nero, in disguise, fights a gladiator and ensnares a trembling slave girl who sings duets with him after she has become accustomed to the splendors of Palatine Hill. When the people revolt Nero is still in a dream, staging...

Author: /time Magazine | Title: Music: Fascist Exaltation | 1/28/1935 | See Source »

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