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...here); we tape on our rose-tinted glasses, cross our fingers, squeeze our eyes shut, and hope with all our hearts for change—the kind we can really believe in. That’s faith, real faith, and it’s being practiced on a massive scale in households all across...

Author: By Jessica A. Sequeira | Title: Looking On the Bright Side | 6/2/2009 | See Source »

...truth that became apparent in my own year-long experience as The Crimson’s leader. Our institution is but a microcosm of the one that I have just become an alumnus of, but even on a small scale, it is clear that constant, entitled self-marginalization and victimhood weakens one’s ability to make the very reforms that may be the necessary and right thing...

Author: By Malcom A. Glenn | Title: Restrained Contentment | 6/2/2009 | See Source »

...notwithstanding the amounts that will disappear into bank accounts in Hong Kong, casinos in Macau and the gaudy houses that stud the outskirts of every Chinese city, China stands to gain more than it loses through its building campaign. The scale of its needs remains immense: the country's leaders are, after all, attempting to move more people out of dire poverty and into something like comfort in a shorter time than has ever been seen before in human history...

Author: /time Magazine | Title: China's New Deal: Modernizing the Middle Kingdom | 6/1/2009 | See Source »

...time Szanton graduated, the University had embarked upon two large-scale constructions to make room for the arts at Harvard—the Loeb Drama Center, begun in 1959 and completed in 1960 and the Carpenter Center, planned in 1959 and completed in 1963. These two projects, part of an overall plan to increase the presence of art on campus, gave student artists the space to thrive. But as the school built homes for the arts in brick and concrete, some students feared that creativity itself, under the University’s watch, would be rigidified...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...committee’s recommendations for Harvard, which came to be known as the Brown Report, were released in 1955 and stipulated a wide-ranging series of reforms. Comparing Harvard to a number of peer institutions, the committee developed specific plans for the school, from the small-scale name change of the Department of Art History to the ground-breaking call for an increased number of theater courses and a design department. These changes would “give the experience of art its rightful place in liberal education,” wrote Pusey in the report. To accompany...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

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