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...star are of particular interest to astronomers. His observations would have been even more detailed and valuable had they been made with a telescope. Unfortunately, the star's timing was off. The supernova lighted the night skies just a scant five years before Galileo made the first documented telescopic scan of the heavens, discovering mountains on the moon and spots...

Author: /time Magazine | Title: Supernova! | 3/23/1987 | See Source »

...forensic brilliance, so Warhol released toxins of careerism, facetiousness and celebrity worship into the stream of American culture. He was the last artist whose cynicism could still perplex the art world, which may explain why -- even after he said that art was just another job -- people continued to scan his latest efforts for signs of "subversive" credentials. In fact, his work was no more subversive than a catering service, and as such it fit the age of Reagan nicely. But the Warhol who will survive, the artist of authentic inspiration, died when he was shot 19 years ago, not last...

Author: /time Magazine | Title: Art: A Caterer of Repetition and Glut: Andy Warhol: 1928-1987 | 3/9/1987 | See Source »

This is how the message will scan...

Author: By John P. Thompson, | Title: Musical Madness | 3/4/1987 | See Source »

...notices only objects that remain still. The results are displayed on twin video screens: a waving hand appears in one image as a few lines of sparkling static; in the other it is invisible. Even more sophisticated is a nearby display that has adapted an industrial vision system to scan ordinary objects like combs, keys and coins. As long as the objects are correctly positioned beneath the camera, the computer easily identifies them. "I see a comb. Am I right?" it asks coyly...

Author: /time Magazine | Title: Computers: Ouch! Oooh! Cut It Out! | 2/9/1987 | See Source »

...composer who employs himself as a librettist has a fool for a collaborator. Goya's scan-deep profundity is revealed in such apercus as "I have to paint to live. But I only live to paint." Never once, though, does Goya show its hero in the throes of creation. There is little sense of the penetrating psychological insight of his official portraits, and important events like his rise to court painter are only alluded to, or take place offstage. The horrors of the Napoleonic invasion, reflected in Goya masterpieces like the stark, brutal The Third of May, 1808, are suggested...

Author: /time Magazine | Title: Music: A Little Puccini and Water | 12/1/1986 | See Source »

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