Word: scares
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Dates: during 1990-1999
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...love horror movies and I love a good scare. So, being too impatient to wait for the Thanksgiving release of Tim Burton's new horror film Sleepy Hollow, I figured I would visit the source of inspiration for Washington Irving's story and now, the new movie. I would take a tour the anachronistic haven for the ghouls and ghosts that Washington Irving captured in writing 150 years ago: the true Sleepy Hollow. I set out on a mission to hunt out all the ghosts I could find. I was determined to track down the spirits of Sleepy Hollow, find...
...would retreat to darkened movie theaters in the hope that The Blair Witch Project or Scream would offer the scare that I was looking for. But I was living in the eerie center of a real life ghost story the whole time, and never appreciated it. So when I took the opportunity to return home this past weekend, I was determined to maintain a vigilant awareness of all the ghosts and ghouls that would cross my path. If Washington Irving could see them, and Tim Burton could see them, I certainly wasn't going to let them evade...
...been entirely unsuccessful. I will admit that I was even beginning to have my doubts that I would see anything that qualified as otherworldly. But I figured if what I needed was instruction in how to scare myself out of my wits, whom better to turn to than a group of impressionable youths that still believe in the boogieman? But as it turns out, it takes a lot more than a tour through Tarrytown to scare third graders...
...quarter, Harvard scored two touchdowns, including a two-point conversion, to take an 18-14 lead at the half. Holy Cross cut the lead 18-17 early in the third, but then Wilford's 12-yard touchdown gave Harvard a more comfortable lead. The Crusaders gave the Crimson a scare when they drove to the Harvard 16-yard-line in the final minutes. But the Harvard defense held Holy Cross on fourth-and-10 to preserve the victory...
...life is threatened, his ex-employers hire thugs to stalk and scare him, and his wife leaves with their two daughters; he loses everything for a chance to set the record straight and doubts whether the price was worth it. Meanwhile, Bergman can't get Wigand's interview on the air at CBS; Don Hewitt and the corporate heads fear a multi-billion lawsuit from Brown and Williamson, and Bergman must plead with Hewitt and anchor Mike Wallace to get the ground-breaking interview on "60 Minutes." The loose, organic structure of the film works its magic in the first...